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Their debut made them Kinesis’ most popular
band, and Children is a big step on in songwriting, playing, and production.
Iluvatar are one of the few neo-progressive bands with substantial appeal to 70’s progressive fans. For the latter group,
Children features lots
of instrumental bits, organ, bass pedals, even some Mellotron, and a 12-minute epic that
rivals the old masters. With Glenn McLaughlin’s
voice and phrasing converging on Phil Collins’,
the Genesis influence is hard to miss. Those qualities that separates the top few neo-prog
bands from the rest of the pack are evident here in abundance. Despite its release late in
the year, Children was named one of the top ten albums of 1995
by Music News Network's readers and by Discover Magazine of Argentina.
| “Perhaps no other
American band is so adept at the vintage British neo-prog formula as Iluvatar. On Children,
this Baltimore-area group is equal parts Genesis and Fish-era Marillion, as singer Glenn
McLaughlin once again leads the way in his best Phil Collins-meets-Fish vocal/lyrical
synthesis... the compositions are so compelling, the melodies so engaging, and the
performances so polished that it would be unfair to dismiss Children
as another neo rip-off. These tracks flow incredibly well, thanks to the band members’ selfless ensemble orientation. No pointless noodling here - any and all
instrumental interludes complement the songs.” [Progression] “What immediately comes to mind is a Wind and Wuthering-era Genesis hijacked by a Rush A Farewell to Kings-influenced, later period Marillion. Then you get beyond the inevitable comparisons and find a truly original band... This quintet’s second album should be approached with an ear for excellence... Children is quite a follow-up and displays a band serious enough about its chosen direction to fully indulge in its many possibilities. Grow up and buy this immediately.” [Flakk] “It won’t surprise anyone for me to say that I like Iluvatar and the brand of progressive that they make. Yes, their sound could be summed up by suggesting this scenario: Jon Anderson doing Phil Collins fronting Marillion circa 1991... Iluvatar do throw their own style into this mix. This quintet have crafted listenable, memorable, melodic neo-progressive rock... I highly recommend it, along with their self-titled debut... Iluvatar have a style and sound that makes you give pause, aiming for something more that just melodic background music.” [Progressive World] |
“Their style is firmly in the melodic neo-progressive camp, strongly influenced by late seventies Genesis, in a way comparable to bands like IQ or Jadis, perhaps with a bit more introspection and moodiness. Singer Glenn McLaughlin's Collins-like voice establishes another strong link with the ATTW3 period - if Genesis needs a new singer, this is their guy. Similarly, Iluvatar’s songs are stories spun into rich and warm melodic textures through generous application of synths, liquid guitar leads, bass pedals, even a little Mellotron here and there. Making good use of dynamics, their tunes typically build from a single theme into grand passages overflowing with multiple layers of lush keyboards. Drummer Gary Chambers and bassist Dean Morekas are no slackers either, as they prove on the harder rocking Cracker. The album takes about three songs to get off the ground, but with Late of Conscience picks up a spirited momentum that continues through the end of the disc, closing with The Final Stroke, which may well be the best tune on the disc. Fans of this brand of prog should find a lot here to enjoy, as Iluvatar seems to pull it off with a lot more sincerity than the guys from across the pond.” [Exposé] “Iluvatar play tasty neo-prog with references to Yes, Galahad, and Animator, also Rush’s work from the eighties... Iluvatar surpass themselves with The Final Stroke - what a fantastic song! Thumbs up for the production as well... Children is a very fine CD. Iluvatar will not win a medal for originality, but they earn respect with the devotion and energy they put into their songs.” [Background] “Well performed, excellent production, and a
beautiful cover. The long tracks give every neo-progressive fan all that he craves, and as
an old Marillion fan, I strongly recommend this album!” [Tarkus
(translated from Norwegian)] |
All clips are excerpts. The downloadable versions require the entire file to be downloaded first but can be saved to disk. The streaming versions will begin to play after a few seconds.
| DOWNLOADABLE | STREAMING |
|---|---|
| Haze | Haze |
| In Our Lives | In Our Lives |
| Given Away | Given Away |
| Your Darkest Hour | Your Darkest Hour |
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$13.99
The 57-minute debut by this American
outfit from Baltimore, Maryland made Iluvatar Kinesis’ best-selling band. Iluvatar’s
primary influences seem to be Genesis (somewhere between Wind and Wuthering
and the progressive parts of Duke) and Marillion. What sets Iluvatar
apart from other 1990’s progressives is the
vocal/instrumental balance. In this regard, Iluvatar's compositions resemble
classic Genesis more than anything else. Virtually every track has a long instrumental
excursion. Yet like Genesis of the late seventies, the songs remain accessible and full of
energy. The French-Canadian magazine Cyclone named Iluvatar
one of the ten best albums of 1993, chose Iluvatar as Best New Band, and singer
Glenn McLaughlin Best New Vocalist. The song Exodus became the number one song of
1994 on Chile’s Radio Futura.
| “This starts like the
soundtrack to the film Hardware, all spooky and doom laden, moves into Hawkwind
spaciness, and then plunges into some of the finest progressive rock I've heard this
decade... this is unique and impressive. They just seem to know what they’re doing. Highly accessible progressive rock for the 1990s and beyond. Let’s pray they stay together and that they continue to produce such
marvelous albums. A major album and a major band with a future. Bleedin’ superb. And they've got the guitar vs. keyboards balance just about right...
Relish it.” [Angry] “Iluvatar are an American outfit who obviously love UK prog with a passion, as they take influences such as Genesis, Floyd, and Marillion and mix them with others closer to home. The result is a hard-hitting yet extremely melodic album that would happily grace the collection of any melodic rock or prog lover. The reason that I am so excited about this is that until I got this CD, I had never heard of them and Kinesis has got a real gem here. In the Eye is literally blasting out of the speakers as I write this and it shows that prog doesn't have to be sanitized and AOR-ized to death but can be played with a passion and conviction... I haven’t been this excited about an American album in years. What do I have to do to make you go out and buy it now? Kinesis have got a real discovery here and I look forward to the next release by a band that could become huge! Brilliance of the highest order.” [Feedback] “Impressive debut album from this Baltimore-based progressive band. Iluvatar’s sensibilities extend outward and beyond their ’80s antecedents (Marillion, for one) in addition to quoting directly from past British masters without being especially derivative of either... If they lean towards a less commercial stance and explore the outer edge of things, their follow-up might just make mincemeat out of the competition.” [i/e] “Iluvatar has more of a classic British prog sound than a Neo sound. Very dreamy, filled with delicious little interplays and nuances... I enjoyed this very friendly music.” [Music Uncovered] “Highly recommended to prog rock fans everywhere!” [Chaos] |
“The more you listen, the more you want, and the more you want, the more you wonder how much better Iluvatar can get ...should be getting so much radio air time that people should be filling very large halls to see them.” [Wondrous Stories] “Is this the great Yes/Genesis album that Yes and Genesis never made? Of the numerous Yes and Genesis-influenced neo-prog bands making the rounds these days, Iluvatar comes closest I've heard so far to capturing the spirit and quality of their forbears. In fact, this stuff is so good I have trouble calling it neo-prog. It’s very progressive, yet also very accessible. It blows Yes’ Talk out of the water, and tops anything Phil Collins and company have done in many a moon. The sound is heavy symphonic progressive, with the same sense of drama and scope we’ve all enjoyed from early Collins-era Genesis and Yes... Quite a winner. And all this from an American band!” [Progression] “Powerful mainstream prog-rock with balanced guitar and keyboards behind which is impressive percussion. All pieces are powerful and flowingly arranged, but extremely listenable. Iluvatar can be expected to reach a wider public. For this work, I give them the absolutely highest grade.” [Empire Magazine (translated from German)] “Never very far away from Pendragon in its ways, Iluvatar is a gifted band with a great sense of climates, a personable singer, excellent musicians who are more delicate than demonstrative even in long suites and in heavy moments (not so easy!) Iluvatar is another star to shine in prog skies.” [Acid Dragon] “This debut album from a brilliant new group is fresh and extremely well structured... This is a band with a bright future who understand the importance of playing off each other to create a multi-layered musical experience. Iluvatar uses well-written lyrics and strong melodic verses to set the stage for the varied and creative instrumental bridges that occur in nearly every song... This band must enjoy playing together because it really shows through the music they create.” [FishNet Indie Review] |
All clips are excerpts. The downloadable versions require the entire file to be downloaded first but can be saved to disk. The streaming versions will begin to play after a few seconds.
| DOWNLOADABLE | STREAMING |
|---|---|
| Eagle | Eagle |
| In the Eye | In the Eye |
| Emperor's New Clothes | Emperor's New Clothes |
| Wait for the Call | Wait for the Call |
Children cover art from the painting
Road to Knowledge by Tito Salomoni, © Prestige Art Galleries, Inc.
For info, write: Prestige Art Galleries, 3909 West Howard St, Skokie, IL 60076, USA