|DVD & Blu-ray||South & Central American CDs|
|United States CDs||Canadian CDs|
|British, Scottish, Irish CDs||German, Swiss, Austrian CDs|
|French & Belgian CDs||Japanese CDs|
|Scandinavian CDs||East European CDs|
|Italian CDs||Hungarian & Romanian CDs|
|Dutch CDs||Mexican & Cuban CDs|
|Spanish & Portuguese CDs||Israeli & Middle Eastern CDs|
|Electronic Music CDs||Greek & Turkish CDs|
|Cutouts and Bargain CDs||Australian CDs|
NEW AND FEATURED:
French-Canadian band Red Sand play music modeled on Fish-era Marillion as well as Genesis, with English-language vocals. Their second DVD From Quebec to Reichenbach contains their March 2017 concert at Centre d’art La Chapelle plus two bonus tracks from the April 2017 Artrock Festival in Reichenbach, Germany. (The title in the cover image says “Germany”, but it was changed to “Reichenbach” on the final version.) This is the NTSC version (all-region). Only a small number were made, such that the band is already out of this version. (They have a small number of the PAL version left.) Check our Canadian page for the Red Sand CDs and more information, and our DVD page for Red Sand’s first DVD.
Lee Abraham was the bass player of Galahad for a time and has a couple CDs previous to these under his belt, one under his name, one as half of the duo Idle Noise. Black & White (2009) is a British neo-prog all-star project that includes John Mitchell (It Bites, Arena,...), Simon Godfrey (Tinyfish), Jem Godfrey (Frost), Gary Chandler (Jadis), Steve Thorne, Sean Filkins (ex-Big Big Train), and Dean Baker (Galahad). That cast leads to certain expectations, and this CD delivers on them. The music is melodic, mainstream, third-generation (unless we’re up to fourth generation now) British prog. Read the DPRP review.
Lee’s follow-up Distant Days (2014, currently out-of-print) was recorded with the same core band that did the handful of gigs after the release of Black & White. His fifth album The Seasons Turn (2016) sees Lee reunited with his core band of Christopher Harrison, Alistair Begg, Rob Arnold, and Gerald Mulligan. Guests Dec Burke (Frost, Darwin’s Radio), Marc Atkinson (Riversea, Mandalaband, Nine Stones Close), and Robin Armstrong (Cosmograf) also return. Abraham says: “Mark Colton of Credo sings lead vocals on a track very far removed from his usual style. Simon Godfrey provides heartfelt vocals to the album’s other epic track. And in a rare return to prog, Martin Orford has recorded some haunting flute.” The album explores the passage of time across its five tracks. Read The Progressive Aspect review. Listen to the album overview.
Having already done his Black & White album, Lee Abraham counters with Colours (2017). The album again features Lee’s core band of Gerald Mulligan on drums, Rob Arnold on piano, Alistair Begg on bass, with Lee handling all guitars and some keys. The vocalists keep coming back too: Dec Burke, Marc Atkinson, Gary Chandler, Robin Armstrong, Simon Godfrey, and Steve Overland. Listen to the album overview and Find Another Way. In what seems like a short time, Lee Abraham went from an unknown to one of our best selling artists.
Part of the British progressive revival, Welsh prog band Multi Story released their first LP East/West in 1985. We must’ve liked it because it became the second CD released on the Kinesis label (or whatever we were calling the label in 1992). The key members of the quintet are writing partners Rob Wilsher (keyboards) and Paul Ford (vocals). There was a second Multi-Story LP (there used to be a hyphen in their name), 1987’s Through Your Eyes, with a different singer, but don’t fret too much if you’ve never heard it as it’s a fairly tepid AOR affair. More recently, Wilsher and Ford got the creative juices flowing again and started working on new material as a duo. The material was nearing completion when Rob met brothers Jordan and Aedan Neale on another music project, which sparked the idea of reworking the material to accommodate a full band and fire up the Multi Story machine again. Bassist Kyle Jones completed the new lineup, and the band began gearing up for live dates. With the key original members in charge, Crimson Stone (2016) resembles East/West except that while the latter contained mostly short songs, Crimson Stone has mostly long tracks, only one under five minutes. If you’re not familiar with East/West (it’s out-of-print), the music was closer to Yes than to Genesis/Marillion, which set Multi-Story apart from the other neo-prog bands. The Yes influence may be more imagined than real though, the similarity between Paul Ford’s and Jon Anderson’s voices having much to do with the perception. To rerun an old quote from CD Services: “The band actually sound similar to Yes but not in the clone way that Starcastle did, more like imagining that if Yes existed in a parallel universe, this might be the musical direction they could have taken. This is how they might sound, only with a bit more variation and less intensity, but still with a sound full of rich textures and excellent compositions plus good vocals from Paul Ford. This UK band had the potential to be big during the second phase of prog rock in the 1980s, but like many other excellent bands, it never quite happened.”
Live at Acapela (2017) is a double-CD recorded at Cardiff’s Acapela Studios as a finale to Multi Story’s 2016 tour. The album features tracks from all three Multi Story albums: East/West, Through Your Eyes, and Crimson Stone. Meanwhile, the band is working on material for their next studio album (apparently taking this notion of 21st century prog seriously).
The Los Angeles prog band Moth Vellum may have only made one album back in 2008, but its offspring are combining to give us more quality prog than might have existed had Moth Vellum continued. Mancunian Candidate is another branch off the Moth Vellum family tree, after Perfect Beings and Johannes Luley’s solo albums. Mancunian Candidate is based in San Francisco and is led by Matthew Swindells, who was drummer and vocalist with Moth Vellum. Swindells also plays keyboards on the self-titled debut (2017, digipack), which also features (among others) Matthew Charles Heulitt (Moetar) on guitar and a stellar cast of bass players including Matt Bissonette (Elton John, Joe Satriani) and Neil Fairclough (Queen). The music retains the Yes vibe of Moth Vellum, is of the same high quality, and will certainly appeal to the same fans. To understand the band name, you need to know that Swindells is an English expat from Manchester. Then if you don’t know that Manchester residents are known as Mancunians, you’ll need to know that too. (It’s a Latin thing.) Watch videos.
Moth Vellum’s 2008 debut CD introduced a Los Angeles-based symphonic prog quartet heavily influenced by Yes and committed to classic 1970s progressive aesthetics, albeit with modern production. Moth Vellum disbanded, but bandleader Johannes Luley assembled a new prog band named Perfect Beings. Perfect Beings I is their 2014 debut, while Perfect Beings II is their 2015 second CD; both are digipacks. (Perfect Beings II is already out-of-print.) Yes is still the dominant influence, but it is less overt than in Moth Vellum or on Luley’s solo album Tales from Sheepfather’s Grove, as Perfect Beings have a more original and unique style. The soothing vocals establish a serene baseline from which the music expands in symphonic splendor or bursts out in intricate instrumental passages. Read reviews.
Johannes Luley released his first solo CD Tales from Sheepfather’s Grove (digipack) in 2013. As you might guess from the cover art, the Yes influence is dominant. Because Luley uses a lot of acoustic instruments and a vast array of hand percussion in lieu of drum kit, Sheepfather’s is suggestive of Jon Anderson’s Olias of Sunhillow, with a similar tribal/spiritual/enchanting vibe. The keyboard sounds are vintage, and the album is meant to be heard as a continuous piece of music, or at least a Side 1 and Side 2 of a continuous piece of music. But the occasional electric guitar sounds like Steve Howe, so you’ll have to conflate Olias and Beginnings in your mind. Read reviews.
Luley’s second solo album Qitara (2017, digipack) was recorded over the span of a few years while taking breaks from working with Perfect Beings. Quite unlike Tales from Sheepfather’s Grove, Qitara is mostly instrumental with a focus on the electric guitar, and takes a sharp turn toward jazz-rock. Johannes says he grew up with the Canterbury sound, before jazz-rock was called fusion. The single vocal performance on the album, Sister Six, marks the return of Johannes’ former Moth Vellum bandmate Ryan Downe. Other guests include heavy hitters Otmaro Ruiz (Arturo Sandoval, John McLaughlin, Jon Anderson), Katisse Buckingham (Herbie Hancock, Andy Summers), Michael Hunter (Stanley Clarke, Lenny Kravitz), and Scott Kinsey (Joe Zawinul). “Absolutely stunning. Restlessly innovative, aggressive in the exploration of new sonic possibilities, and always anchored by strong melodic backbones. The musicianship on this album is out of this world, and the songwriting is top notch. Fluid open arrangements give everyone a chance to shine.” [Fred Beaulieu]
On the Perfect Beings front, the band has signed to InsideOut for their third album, expected in January 2018, and they’ll be performing it at Rosfest 2018.
Where We Stood is a live set documenting The Pineapple Thief’s final performance of their Your Wilderness tour, featuring Gavin Harrison (Porcupine Tree, King Crimson) on drums and Darran Charles (Godsticks) on guitar, at the sold-out Islington Assembly Hall in London in February 2017. 15 cameras were used! The DVD (NTSC, all-region) contains the concert film with DTS 24/96 5.1 and hi-res stereo audio, plus extras including behind-the-scenes footage. An audio CD of the live concert recordings is included in the digipack. Those who feel that DVDs have no business existing in the 4K television era will want the Blu-ray, which in addition to superior video has superior audio and much more content. The Blu-ray has the full show, documentary footage and interviews, and two different 24/96 DTS-HD MA 5.1 surround mixes (one natural, one discrete). It also contains their last studio album Your Wilderness in 24/96 stereo and surround, plus the special 8 Years Later album in 24/96 stereo with a brand-new 24/96 5.1 mix too. All that plus five acoustic tracks in both 24/96 stereo and surround, and loads of bonus videos. That is one generous/ambitious Blu-ray. We’re told an mp3 download code is included. Watch the trailer.
Abducted At Birth (digipack) is the 2017 remixed and remastered reissue of Pineapple Thief’s 1999 debut Abducting the Unicorn. (There was no definite article in the band name back then.) Abducting the Unicorn was released on the Cyclops label. TPT leader Bruce Soord and Cyclops chief Malcolm Parker remember things differently, but suffice to say the original album name was to make the connection to Soord’s previous band Vulgar Unicorn, who at that point had released two CDs on Cyclops. Read reviews of the original at Prog Archives.
See Page 2 for more The Pineapple Thief CDs and more info.
Wobbler are a Norwegian band singing in English who debuted in 2005 with Hinterland, which showed a strong Änglagård influence. Their second CD Afterglow (2009) added some renaissance music flavors to the mix, and their third CD Rites at Dawn (2011) showed a Yes influence that wasn’t very apparent on their first two.
Wobbler have moved to Karisma Records for From Silence to Somewhere (2017), which contains just four tracks (three of which are very long) of 1970s style symphonic prog. The Yes influence is still strong but hardly the only influence. The execution is consciously retro, as bandleader Lars Fredrik Frøislie has amassed quite the collection of vintage keyboards, and he has several other bands (White Willow among them) providing an outlet for more modern styles. So Wobbler is all about classic prog. “It’s almost hard to fathom just how good From Silence to Somewhere is, easily one of 2017’s best progressive rock releases from a band that can seemingly do no wrong. Glorious stuff from top to bottom, and highly recommended.” Read the full Sea of Tranquility review, also the Team Rock and The Progressive Aspect reviews.
The Ferryman’s Curse (2017) is the first Strawbs album of new material in eight years. The current Strawbs lineup comprises long-time members Dave Cousins, lead guitarist Dave Lambert, bassist Chas Cronk, and drummer Tony Fernandez, plus keyboard and guitar virtuoso Dave Bainbridge (Celestial Fire, Iona). Bainbridge joined Strawbs for their recent tours, but this is his first studio album with the band, and his input has re-energized Strawbs. For a band that once had Rick Wakeman as keyboardist, one could still argue that Bainbridge is the best musician Strawbs have had in that seat, as Bainbridge’s guitar skills tip the balance. He reproduces classic Strawbs keyboard sounds from the Hero and Heroine and Ghosts era, including Mellotron choir, strings, flute, and brass. Note the title track is the epic sequel to The Vision of the Lady of the Lake from Dragonfly. This is the best Strawbs album in decades. See our British page for more Strawbs CDs.
Breton Alan Simon has been making Celtic-flavored progressive rock operas for many years now, not only writing and recording the albums, but staging the large scale productions as well. He has always had the support of legendary international musicians. Excalibur is his best known work, the first part of which was released in 1999. Excalibur IV: The Dark Age of the Dragon (2017, digipack) features Alan Stivell, Martin Barre (Jethro Tull), John Helliwell (Supertramp), Sonja Kristina (Curved Air), Michael Sadler (Saga), Moya Brennan (Clannad), Bernie Shaw (Uriah Heep), Jesse Siebenberg (Supertramp) and more, most appearing on multiple tracks. Watch the album trailer and the longer album overview.
RTfact is a Russian/American band and one of the biggest new names to burst onto the prog scene in recent years. Michael Caplan, the man who snuck Echolyn and October Project onto Sony back in the 1990s when he was head of A&R there, is handling PR for RTfact in his current consulting business. The band is led by Yuri Volodarsky, who had a prog band in Russia back in 1979. He emigrated to the U.S. in 1991 with his family and now calls San Francisco home. The RTfact debut Life Is Good (2017) is symphonic prog with heavy nods to Gentle Giant, ELP, Spock’s Beard, and Alan Parsons. Guests include Nad Sylvan, Jeff Soto, Oz Noy, and others. Watch the album teaser video. Read The Prog Mind review.
Though Il Cerchio d’Oro later reformed, their self-titled CD was a posthumous one when released in 1999, documenting the activity of this Italian band that only released three singles at the end of its first life. Formed in 1974, Il Cerchio d’Oro recorded the tracks for an album circa 1976 that remained unreleased until this CD. The album is in a typical Italian progressive style, though on the simpler side. The sound quality varies, most of it is fine but one or two tracks sound like a bootleg cassette. The three singles appear at the end of the CD, but they are in a pop and disco style. The Mellow label describes this as a missing link between Alphataurus, Corte dei Miracoli, and Panna Fredda. Maybe throw New Trolls and Le Orme in there.
Il Cerchio d’Oro reformed in 2006 with all the original members and released their first proper album in 2008, the concept CD Il Viaggio di Colombo, and followed with Dedalo e Icaro in 2013. Both are firmly in the 1970s Italian melodic, song-structured symphonic prog style, using vintage sounds and sung in Italian. The band list their influences as Le Orme, New Trolls, The Trip, PFM, and Pink Floyd, which are good reference points; Delirium is another. Il Fuoco Sotto la Cenere (2017) is the third for the reformed band, with guests Paolo Siani (Nuova Idea, Equipe 84), Giorgio Usai (Nuova Idea, New Trolls), and Pino Ballarini (Rovescio della Medaglia). Watch the official video.
Icon was the collaborative band of the late John Wetton and keyboardist Geoff Downes. Zero (digipack) is the 2017 remastered edition of the 2002 album titled simply Wetton/Downes, which featured a different cover. It predates the first Icon album, so it has been rebranded as Icon - Zero to bring it into this ongoing series of Icon reissues fully sanctioned by Downes and the estate of Wetton. A couple bonus tracks have been added, one demo and one alternate version. Francis Dunnery (It Bites) and Agnetha Fältskog (ABBA) are among the guests.
Urban Psalm had previously only been available as a DVD* from the artists’ merchandise store, so this 2017 edition is its first general release, now with the audio on two accompanying CDs. The performance is from a special one-time concert in February 2009 in an historic church in London. The rest of the band is cellist Hugh McDowell (ELO), singer Anne-Marie Helder (Karnataka, Panic Room, Mostly Autumn), drummer Pete Riley (Keith Emerson), and guitarist Dave Kilminster (Wetton, Emerson, Roger Waters, Steven Wilson,...). Counts as 1.5 CDs for shipping. See our British page for more Wetton-Downes CDs.
* No indication is given on the packaging, assume the DVD is PAL.
At the 2016 Morsefest in Nashville, Spock’s Beard featuring all members past and present performed their revered 2CD concept album Snow in its entirety. Snow was the last album Neal Morse recorded with the band before departing in 2002. It remains Spock’s Beard’s top selling album, and because Morse left shortly after the album was finished, it was never performed live prior to this. The lineup here is Neal Morse (lead vocals, piano, synths, electric & acoustic guitar), Alan Morse (electric guitar, vocals), Ted Leonard (electric and acoustic guitar, vocals), Jimmy Keegan (drums, percussion, vocals), Nick D’Virgilio (drums, percussion, vocals, acoustic guitar), Ryo Okumoto (Hammond organ, Mellotron, Jupiter 8, Minimoog, vocoder), and Dave Meros (bass, vocals). The 2DVD/2CD comes in a fat digipack and counts as 2 CDs for shipping. Both Blu-ray and DVD editions include the encores and a behind-the-scenes featurette. See our U.S. page for Spock’s Beard’s CDs.
Deluge Grander sprang from the ashes of Baltimore progressive band Cerebus Effect. It was the addition of keyboardist Dan Britton that made the final Cerebus Effect CD their most symphonic, and on their debut August in the Urals (2006, out-of-print), Deluge Grander continued in that direction, more symphonic and, well, grander. Britton is the primary composer, and he is a tremendous keyboardist. August in the Urals is complex symphonic prog in a 1970s style, with some vocals but no attempts at songs per se, as instrumental content clearly dominates. There are many possible reference points, including Änglagård, King Crimson, Gentle Giant, Fireballet, Genesis, and Yes, but the music rarely suggests any one band for long.
Birds and Buildings is Dan Britton’s other band and is fairly similar. The two bands also share a bass player. The major difference between Bantam to Behemoth (2008, out-of-print) and the first Deluge Grander is the presence of a woodwinds (sax, flute, clarinet) player. The flute tends to be used in the gentler, pastoral passages, while the sax is used in the more energetic passages. The sax style is similar to David Jackson or Mel Collins, ranging from melodic to frenzied. The presence of sax leads to comparisons with King Crimson, Van der Graaf Generator, and Gong, and there is more of a Canterbury influence than in Deluge Grander. There are still gobs of Mellotron strings and choir, and highly-skilled ensemble playing.
Bantam to Behemoth was recorded between the first two Deluge Grander CDs, and the second Deluge Grander CD The Form of the Good (2009) seems to have more in common with Bantam to Behemoth than August in the Urals, perhaps not surprising given that B&B’s woodwind player guests here. The Form of the Good is entirely instrumental and has more of the sonic maelstrom approach of the French band Clearlight. Here the core quartet of keys/guitar/bass/drums in augmented by a large number of guests contributing clarinet, flute, sax, violin, cello, trumpet, trombone, and oboe. Clearlight had Didier Malherbe’s woodwinds and either David Cross’s or Didier Lockwood’s violin, so Deluge Grander usually have a sonic counterpart to those in the mix here. As with B&B, this is blended with a more symphonic style highlighted by Mellotron.
2013 and it’s Birds and Buildings’ turn again, with Multipurpose Trap. The lineup has changed but the instrumentation still includes violin, sax, flute, and clarinet. In the band’s words, B&B “play a mixture of intense jazz-rock (often bordering on Zeuhl), complex symphonic music, and occasional avant-garde heaviness”. The band says that every song has up to six people singing, but only for a minute or less on most songs, mainly to confound ‘instrumental’ versus ‘vocal’ classification. Read the Exposé reviews.
2017 and naturally it’s Deluge Grander’s turn with Oceanarium (digipack, 79-minutes). The album is instrumental symphonic prog, densely and meticulously orchestrated, with guests adding trumpet, trombone, oboe, clarinet, bass clarinet, flute, sax, violin, and cello. It’s time to add more bands to the reference list, and Dan Britton acknowledges Kenso, Maneige, and Kotebel.
See also the related band All Over Everywhere.
Glass Hammer celebrate their 25th anniversary with Untold Tales (2017), a 74-minute collection of rare and previously unreleased recordings from 1993-2017. There is one 2017 live track: No Man’s Land. There are previously unreleased covers of Argent’s Hold Your Head Up and The Beatles’ It’s All Too Much. The rest are previously unreleased studio recordings spanning the life of the band, including a couple epic length tracks. Untold Tales features vocalists Walter Moore, Carl Groves, Susie Bogdanowicz, and Jon Davison. Current bandmembers Fred Schendel, Steve Babb, Kamran Alan Shikoh, and Aaron Raulston are all present as are many GH alumni. The 16-page booklet contains lyrics and extensive liner notes. See our U.S. page for more Glass Hammer titles.
Leftoverture Live & Beyond (2CD, 2017, digipack) features the 1976 Leftoverture album performed start to finish by the new Kansas lineup, plus several songs from 2016’s The Prelude Implicit as well as numerous tracks from the band’s 1970s heyday. Leftoverture Live & Beyond was recorded in 12 different U.S. cities on the band’s Leftoverture 40th Anniversary Tour; the best version of each of the 19 tracks was selected. This live album was produced by Jeff Glixman, who produced Leftoverture all those many years ago. Read the TeamRock review.
Italy’s greatest musical export Premiata Forneria Marconi return in 2017 with a new rock album. No, the current PFM lineup is not going to make another album to rival their 1970s classics, so just dispel that notion now, but Emotional Tattoos is very good, quite energetic and an order of magnitude proggier than their forgettable 1980s albums such as PFM? PFM! or Miss Baker. This is the 2CD jewel case edition. Disc 1 contains the English version of the album, Disc 2 the Italian version. Read the Vintage Rock review. See our Italian page for more PFM CDs.
In their first incarnation, Italian prog band Acqua Fragile made two albums: their self-titled 1973 debut and Mass-Media Stars (1974). The band is well-known because their singer was Bernardo Lanzetti, who later joined PFM. The Acqua Fragile albums are classic Italian prog albums in their own right, displaying Genesis, Yes, and Gentle Giant influences and paralleling PFM to some extent. They are sung entirely in English, Lanzetti having lived in the United States. We feel these albums are underrated. Some people don’t care for Lanzetti’s voice or the high-pitched backing vocals (it was the 1970s), and the lyrics, well, something was lost in translation. But there is musical magic here. The mini-LP version of Mass-Media Stars is the 2011 Sony cardboard sleeve edition, now out-of-print. The mini-LP version of the first album is the BMG edition, which comes in a heavyweight gatefold sleeve. The others are the newly-remastered 2011 editions on Esoteric, with booklets featuring fully-restored album artwork and a new essay plus interview with Bernardo Lanzetti. (The Esoteric edition of the self-titled album is out-of-print.) Start with Mass-Media Stars.
In the Will wonders never cease? category, A New Chant (2017) is a new Acqua Fragile studio album following a well-deserved 43-year break. It features three of the original members: Piero Canavera, Franz Dondi, and Bernardo Lanzetti, plus guests including lyricists Pete Sinfield (lyrics for King Crimson, ELP, PFM) and Nick Clabburn (lyrics for Steve and John Hackett), along with acclaimed musicians Tango Spleen and drummer Jonathan Mover (GTR). Tango Spleen is a six-person orchestra based in northern Italy providing strings, piano, and bandoneon (a type of accordion). They had previously worked with Lanzetti on his Vox40 project. Two members of Acqua Fragile Project (an Acqua Fragile tribute band active circa 2005) also guest. “They do a tidy job of recapturing the old magic here. Lanzetti’s formidable pipes have matured but he still has a commanding semi-operatic charisma to his voice on the car chase soundtrack rush of All Rise and the windswept acoustic balladry of the title track. His theatrical exhortations on The Drowning also have echoes of Peter Hammill’s VdGG pomp, but elsewhere a judicious choice of guest players enhance the sound too. Alex Giallombardo’s jazz patterns on guitar make beguiling cameos, as do Alessandro Sgobbio’s synth solos. King Crimson wordsmith Pete Sinfield and Steve Hackett lyricist Nick Clabburn contribute some strong lines, but Lanzetti’s own bon mots are part of the charm – Wear Your Car Proudly’s slightly jarring use of English, for instance, only adds to the febrile, edgy mood of the piece.” [Prog magazine]
Clock Unwound (2017) is the second album from Gentle Knife, an 11-member Norwegian progressive rock ensemble whose main inspiration is classic 1970s prog. Listen to the 18:00 album sampler. Read the Prog Archives, Progressive Music Planet, and The Progressive Aspect reviews.
Två (2015, digipack) is the second CD for Swedish prog band Agusa, following their 2014 debut Högtid. Their sound is straight out of the early 1970s, an instrumental, organic, psychedelic-flavored style of prog, with Hammond organ as the sole keyboard. For this second album, which consists of just two long tracks, they added a flute player. The music is in the Kebnekajse, Bo Hansson, and Flasket Brinner veins. Read the Sea of Tranquility and The Obelisk reviews.
The self-titled Agusa CD (2017, digipack) is their third studio album. Read The Obelisk review.
Lunatic Soul is the solo project of Riverside singer Mariusz Duda. He has spoken about how the fifth Lunatic Soul album Fractured (2017, digipack) is an album of catharsis after a challenging year in his personal life. At least part of that is presumably the death of Duda’s Riverside bandmate Piotr Grudziński in 2016. Duda says that musically it’s the most original album he has ever made, and yet it’s the most accessible album in the Lunatic Soul discography. Poland’s Sinfonietta Consonus Orchestra appears on two of the album’s most personal tracks, while saxophonist Marcin Odyniec guests; he first worked with Duda in Riverside. Read the Echoes and Dust and The Prog Report reviews.
See our East European page for the rest of the Lunatic Soul CDs.
Kaipa was the top first-generation Swedish prog band. Keyboardist Hans Lundin reformed Kaipa circa 2002, and the new band’s style has been faithful to the original apart from switching to English lyrics. Children of the Sounds (2017, digipack) continues with the same lineup that has been in place since Angling Feelings, and the same essential style. “What truly makes Kaipa stand out here, as always, is the way in which they create celebratory sonic worlds filled with a childlike sense of wonder, hope, and possibility. Rather than aim for soulless virtuosity (as a fair amount of their peers do), they make each technical moment serve the central goal of enveloping the listener in an aural fairytale of colorful, life-affirming compositions. Children of the Sounds is as fine an example of that as any other Kaipa record, or any other modern genre LP for that matter, and it should be cherished as such by as many people as possible.” [The Prog Report] Also read the Get Ready to Rock, Dangerdog, and The Progressive Aspect reviews. Watch the videos for What’s Behind the Fields and the title track.
See our Scandinavian page for more Kaipa CDs.
Lifesigns’ self-titled debut may have been the British prog album of 2013. Lifesigns is a band formed by John Young (composer, keyboards, lead vocals), Nick Beggs (bass, Chapman Stick, backing vocals), and Martin ‘Frosty’ Beedle (drums), a project that had been in development for six years. There have been precious few modern British bands making albums on the same level as the classic symphonic bands, you know, the ones who invented progressive rock. Which makes Lifesigns nearly a national treasure. But then these are veteran musicians, and they’re joined by three guests on electric & acoustic guitars: Steve Hackett, Jakko Jakszyk (King Crimson), and Robin Boult (Fish, John Young Band), plus Thijs van Leer (Focus) on flute. You’ll hear similarities to Peter Gabriel, Yes, Genesis, National Health, Happy the Man, Bruford, and a couple others we’re overlooking, but it doesn’t sound retro or derivative. We don’t often write “must have”, but there, we’ve done it.
Live in London: Under the Bridge (digipack) is a DVD (NTSC, all-region) + double-CD filmed/recorded at London’s premier live music venue Under the Bridge in January 2015 by award winning film director Paul Shammasian. Lifesigns play their entire debut album plus five as yet unreleased tracks. The live band includes John Young and Frosty Beedle with Jon Poole (ex-Cardiacs) on bass/vocals and Niko Tsonev (ex-Steven Wilson) on guitars/vocals. At the time of this recording, they’d played 26 shows and had honed their stagecraft. Watch the official DVD trailer. Read the Background Magazine review. Counts as 1.5 CDs for shipping.
Cardington (2017, digipack) is Lifesign’s second studio CD. “Cardington is brilliant, it is a monumental work, and yes, it is to be salivated over by any self-respecting prog fan. If you are in any doubt, please do not be – Cardington is one of the must-have melodic prog albums of 2017.” [The Prog Report] “Lifesigns has succeeded where so many other bands have failed. They have released a sophomore album that manages to retain what I loved so much about the first album, and they have pushed the envelope even more than I expected, whether musically or in the poetic lyrics. Cardington is one of the best albums of the year.” [The Prog Mind]
For those not familiar with Duncan Browne, he was a gifted songwriter, singer, and guitarist who sadly passed away in 1993 from cancer. He was a musical chameleon, recording the post-psych chamber pop classic Give Me, Take You album in 1968, then re-emerging four years later as an introspective singer/songwriter. By the mid-1970s, he had signed to the Transatlantic label as a member of Euro art rock sophisticates Metro. The Metro album is quite respectable, but it’s after Browne left Metro that it gets really interesting for prog fans. Browne’s two best albums are The Wild Places (1978) and Streets of Fire (1979). These two prog/pop albums not only feature outstanding songs but a lot of first-rate progressive rock, as Browne had assembled a stellar cast of British session musicians in keyboardist Tony Hymas (Jeff Beck), bassist John Giblin (Brand X, Kate Bush, Peter Gabriel,...), and drummer Simon Phillips (801, Mike Oldfield, Jon Anderson,...) for both albums. (Giblin and Phillips were already in place on the Metro album.) These albums also demonstrated that Browne was a really good electric as well as acoustic guitarist. The title track of The Wild Places remains a classic, a great song with lots of dynamics followed by an all-out sympho-prog instrumental outro, Mellotron choir and all. The track American Heartbeat on Streets of Fire is another classic song, while instrumentals such as the title track from Streets of Fire showcase the prog and fusion credentials of the musicians. These albums are of such a class that it’s a crime Duncan Browne isn’t better known. This anthology contains both The Wild Places and Streets of Fire in their entirety, the complete Metro album, and some rarities including the long lost 1979 song China Girl (no relation to the Bowie song, though paradoxically Bowie did cover one Metro song), its first release in any format.
Anthony Phillips is of course the original Genesis guitarist. On Invisible Men (1983), Anthony collaborated with Richard Scott, and the album includes guests such as Morris Pert, Bimbo Acock, and Joji Hirota. It is an album of ambitious pop songs, the most pop-oriented of the Anthony Phillips catalog. But Phillips has the same knack for writing catchy songs that runs through the Genesis family, and many of these are very good, perhaps comparable to Camel’s The Single Factor released the previous year, which Phillips played on. This 2017 double-CD digipack edition on Esoteric has no surround as presumably the multitracks are not available. However, the original stereo mix is newly-remastered from the original tapes, and the set adds 19 extra tracks. Three are on the first CD and date to 1991; 16 more on the second CD titled Out-takes and Demos were recorded in the same timeframe as Invisible Men. The 16 are previously unreleased, as unlike the earlier titles, Invisible Men didn’t get a 2CD reissue on Voiceprint when the other did back in 2008-2011. In fact only a few of the extra tracks are alternate versions; the vast majority are previously unheard songs. The booklet fully restores the original album artwork and features a new essay by Jon Dann. “Throughout, the album is upholstered with luscious chords pressed into the service of toe-tappers rather than Phillips’ more usual pastoral ruminations. It might be a far cry from the acoustic alchemy and intimate warmth of Phillips’ classics such as The Geese and the Ghost, but that was the object of the exercise and as such it’s an entertaining diversion. Phillips’ own assessment was that Invisible Men was a misstep, but while many of the songs eschew the more thoughtful, intimate side of Phillips’ catalogue, many contain a degree of craft that’s not only admirable but surprisingly catchy.” [Prog magazine] Counts as 1.5 CDs for shipping.
Anthony Phillips’ 1990 album Slow Dance contains a two-part orchestral rock suite and has for a long time been the highest rated of all his albums on Prog Archives, and with a statistically significant number of ratings. It’s a marvelous work that gets overlooked simply because it was released as late as it was. Esoteric’s 2017 3-disc edition comes in a fat digipack and features a newly remastered original stereo mix and a lossless 5.1 surround mix by Simon Heyworth, plus a CD of previously unreleased ‘Slow Dance’ Vignettes. It includes a lavishly illustrated booklet that fully restores the original album artwork and features a new essay by Jon Dann. The DVD-Audio disc is NTSC, all-region. Counts as 1.5 CDs for shipping. See our British page for the earlier titles in this surround/remixed/remastered series (The Geese and the Ghost, Wise After the Event, Sides, and 1984) plus more Anthony Phillips CDs.
John Hackett is of course Steve’s younger brother and longtime sideman, known best as a flute player but he also plays guitar, bass, bass pedals, and keyboards. Another Life (2015, digipack) is John’s second rock album, the follow-up to 2005’s Checking Out of London, with most of the same people involved. Nick Clabburn again provides lyrics, and John is again joined by brother Steve on lead guitar, while Anthony Phillips guests. The whole project was produced and mixed by Nick Magnus, who again takes care of keyboards, drums, and programming.
John Hackett’s newly-formed band features classical guitar specialist Nick Fletcher, Jeremy Richardson (bass, vocals, acoustic & 12-string guitars), and Duncan Parsons (drums). They debut with the studio album We Are Not Alone (2017, 2CD, digipack). Steve Hackett makes a token appearance. This interview contains some previews of the music. This is the deluxe 2CD edition. The second disc is titled Another Live, recorded at the Classic Rock Society in 2016 featuring live performances of 19 songs from Checking Out of London and Another Life.
These are Esoteric’s 2016-2017 newly remastered, remixed, and expanded editions of BJH’s Everyone Is Everybody Else (1974), Octoberon (1976), Gone to Earth (1977), and XII (1978), which come in fat digipacks. The first CD in each set contains the original stereo mix remastered, while the second CD contains a new stereo mix. The star attraction is the DVD (NTSC, all-region) in each set containing a 5.1 surround mix as well as the new stereo mix in 96 kHz / 24-bit. Each also includes 6-7 bonus tracks (some in 5.1), fully restored artwork and lavishly illustrated booklets with liner notes. The Octoberon DVD includes two Polydor promotional films which were broadcast on The Old Grey Whistle Test in 1977. Each set counts as 1.5 CDs for shipping. See our British page for more Barclay James Harvest CDs.
The UK band Drifting Sun began in the early 1990s when bandleader Pat Sanders left his native France for England. They released an eponymous first CD in 1996, followed by On the Rebound in 1998. This is the 2016 remixed/remastered edition of On the Rebound, with new artwork.
Then nothing was heard from Drifting Sun until 2015 and their third album Trip the Life Fantastic, featuring a new lineup. This album will get the blood of neo-prog fans pumping. It is the more bombastic modern take on early Marillion (in a broad rather than copyist sense), with of course several other prog influences, featuring excellent dramatic vocals and a good guitars/keys balance. Read reviews at Prog Archives, The Progressive Aspect, DPRP, and Get Your Rock Out.
This is the limited edition of Safe Asylum (2016), which contains two additional instrumental tracks (that first appeared several months earlier on the download-only Alice EP). Safe Asylum is darker, more complex and serious sounding than Trip the Life Fantastic. Which you can tell just by looking at the covers. The mostly long tracks are quite involved, though the music remains melodic to be sure. The keyboardist is the bandleader, so the guitar/keys balance is enforced. At this point, Fugazi-era Marillion is only a distant ancestor, as Drifting Sun have ambitiously taken their music into other realms. Read the Progradar and Progarchives reviews.
Twilight (2017, digipack) is arguably the band’s best work to date, striking a balance between the darkness of Safe Asylum and the light of Trip the Life Fantastic. “Drifting Sun have made another leap forward with their latest album, Twilight. With their last two albums both reviewed favorably here at Progarchy, that is no light praise.” Read the full Progarchy review, also The Progressive Aspect review.
We had given up hope of seeing this 1980 Kayak-related album reissued on CD, but in 2017 it’s happened, a remastered CD with five bonus tracks! Edward Reekers became Kayak’s second singer beginning with 1978’s Phantom of the Night when original singer Max Werner did a reverse Phil Collins and retreated to the drum stool. We love Werner’s unusual voice on the early Kayak material, but Reekers clearly had the voice to make Phantom of the Night a gold record in The Netherlands. Reekers remained with Kayak until they split in 1982 and rejoined the reformed band in 2005.
The Last Forest is Reeker’s first solo album. Kayak were in their symphonic pop phase, to which this album belongs. It is very close to being a Kayak album as Reekers is joined throughout by fellow Kayak members Johan Slager (electric & acoustic guitars, bass) and Max Werner (drums, some backing vocals). Ab Tamboer and Gerard Koerts of Earth and Fire are responsible for the string arrangements. The original album was recorded in both England and Holland and was produced by Stephen W Tayler (Kate Bush, Peter Gabriel, Saga, UK,... the list of Tayler’s credits is very long). For this CD edition, Tayler enhanced and remastered the tracks from the original master tapes. The five bonus tracks are from three singles Reekers recorded for Polydor in 1982 and 1983. It’s all housed in a digipack with the original artwork carefully restored, with a 12-page booklet containing liner notes by Reekers and various photographs and clippings provided by Reekers and Tayler.
This Belgian band’s name results from a typo on their first demo and the decision that it was simpler to change the band name than to correct the demo. Quantum Fantay are a space rock band that have people as excited as when they first heard Ozric Tentacles. If the Quantum Fantay CDs don’t make you jump around the room, well then you’re probably not prone to jumping around rooms. But if you’re a fan of Ozric Tentacles, then it’s a good bet Quantum Fantay’s CDs will excite you like no Ozrics CD has in years. Maybe ever. Give the Ozrics credit for doing it first, and they are a huge influence, but Quantum Fantay breathe new life and energy into a genre many thought had exhausted its possibilities. Believe every superlative you read about this band; they are the current progressive space rock kings.
From Herzberg to Living Room is a double live CD recorded in front of 7000 people at the 2007 Burg Herzberg festival in Germany. It includes much of the material from their first two studio albums Agapanthusterra and Ugisiunsi plus two new compositions. Out-of-print, last copy.
Terragaia (2014, digipack) is a 70-minute concept album featuring guest appearances by members of Anima Mundi, Neo Prophet, and others. Despite the passage of nine years since the first Quantum Fantay CD, we’re still jumping around the room, albeit slightly slower. Watch the videos for Chopsticks and Gongs and Desert Rush.
With four long tracks of almost exactly the same length, Dancing in Limbo (2015, digipack) showcases a new Quantum Fantay lineup, which only adds fresh angles to the band’s trademark style. Ed Wynne of Ozric Tentacles guests, which makes perfect sense.
The Belgian funsters return in 2017 with their seventh studio album and another easy-to-remember title: Tessellation of Euclidean Space (digipack), having added two new members on flute and sax.
Jet Black Sea is a project of Adrian Jones, leader of Nine Stones Close, joined on The Path of Least Existence (2013, digisleeve) by Michel Simons. As Adrian says: “The music is entirely instrumental, dark, ambient, progressive, and powerful. The album takes you on a complete journey through almost an hour of interconnected musical themes.” The music has commonality with Nine Stones Close but goes further afield; in Jet Black Sea, Jones is less constrained and perhaps more fully realizes his vision. It’s one of those albums you have to give yourself over to completely, perhaps using headphones and eliminating distractions. Watch the album overview video and the videos for The Law of Diminishing Returns and Northern Exposure. Read the Background Magazine review.
Absorption Lines (2017, digisleeve) is again the core duo of Adrian Jones and Michel Simons, with assistance from Brendan Eyre and Tony Patterson (who you may know from their 2014 album Northlands), Adrian O’Shaughnessy and Pieter van Hoorn from Nine Stones Close, and Paul van Zeeland. “With the release of Absorption Lines, Jet Black Sea have made a significant leap forward in their sound, the album only revealing its full trove of treasures with multiple listens. While maintaining the innovative, inventive qualities that made The Path of Least Existence such a success, Simons and Jones have pushed themselves to the limit once more... Mysterious yet charismatic, ambient yet powerful, alluring yet secretive - Jet Black Sea deserve your attention. Read the full Prog Archives review, also the Real Gone and Progradar reviews. Watch the album preview video.
Schooltree are a Boston-based prog band led by singer/keyboardist Lainey Schooltree. After debuting in 2011 with a solo album My Metal Mother (now out-of-print), the band albums Rise (2013, digipack) and Heterotopia (2CD, 2017, digipack) followed. On the most recent album, Lainey is joined by five other musicians on guitars, organ & synths, bass, and drums. Four years in the making, Heterotopia is a symphonic odyssey through a dystopian dreamworld. “Imagine if Kate Bush released, in 2017, a 100-minute double LP concept album. Imagine it was so damn good that it ranked right up there in rock history with The Lamb Lies Down on Broadway and Quadrophenia... Well, that is exactly the magnitude of what is going on here with this release... This album is one of the most wholly unexpected works of genius that I have ever encountered... This dazzling album is truly a towering work of art.” Read the full Progarchy review. “Heterotropia is sumptuously nuanced, primarily mid-tempo, with multilayered keys/guitars/effects and atmospheric touches evoking the story’s spiritual netherworld... We get hints of Genesis/Bowie-like melodrama and punchy bursts of rock lending impetus to the lengthy narrative’s development.” [Progression] Watch some of the world premiere live performance. More info on the Schooltree site.
Second Home is Mystery’s first live DVD (NTSC, all-region), filmed and recorded live in April 2016 headlining the ProgDreams V festival in the Netherlands. Extras include backstage video. The companion double-CD has three additional tracks recorded at the Boerderij in 2015. Watch A Song for You. See our Canadian page for the rest of the Mystery catalog.
Back in stock. How We Live was formed in 1985 by singer/keyboardist Steve Hogarth and guitarist Colin Woore, both previously in the band The Europeans. Dry Land (1987) was the band’s sole album. By 1988, a disillusioned Steve Hogarth was considering abandoning music when he was invited to replace Fish as Marillion’s lead vocalist, and the rest is history. The title track of Dry Land would later be recorded by Marillion for their Holidays in Eden album and become a UK Top 40 hit. Dry Land was reissued briefly on CD and is now sought after by Marillion collectors, as it sounds quite a bit like Marillion. This 2016 expanded edition on the Esoteric label has been newly remastered from the original master tapes and adds the bonus tracks English Summer and the 12-inch remix of All the Time in the World. It features fully restored artwork and liner notes.
World Trade is Billy Sherwood’s second band, which grew out of his first band Lodgic. World Trade released their eponymous debut in 1989 and a second CD on the Magna Carta label in 1995. This led to Sherwood’s first stint in Yes (1997-2000), and the rest is history. World Trade have returned in 2017 with their original lineup and a new album Unify, the music continuing in a 90125/Big Generator-era Yes vein. Read the Sea of Tranquility review.
The Slow Rust of Forgotten Machinery (2017, digipack) is The Tangent’s ninth studio album, the lineup now Andy Tillison (keyboards, vocals, drums), Luke Machin (guitar, vocals), Jonas Reingold (bass), Theo Travis (sax, flute), and new member Marie-Eve de Gaultier (keyboards, vocals). “This is the best The Tangent release since 2003’s debut The Music That Died Alone. The Slow Rust of Forgotten Machinery is complex, adventurous and clever, and it succeeds in blending traditional prog and jazz-fusion expectations with the best type of forward-thinking musical chicanery... It is simply masterful, as one would expect from musicians of this calibre. The Tangent are indeed back.” Read the full The Prog Report review. See our British page for more The Tangent CDs and more info.
Tim Burness (who is a completely different person than Tim Bowness) has been at this since the mid-1980s with his band Burnessence, who released two LPs and played gigs with IQ, Pendragon, Pallas, Solstice, and Steven Wilson’s first band Karma! He continued to record under his own name during the 1990s. Finding New Ways to Love (2004) is a blend of his progressive-pop vocal tracks and progressive rock instrumentals. Tim is joined by several musicians on this album, notably Fudge Smith (Pendragon, Steve Hackett) on drums. The vocal tracks are inspired by Peter Gabriel, Sting, and Tears for Fears, while you can spot the influence of early Steve Hillage in the instrumentals, also a little Steve Hackett and Robert Fripp. The hammered dulcimer on two of the instrumentals is a great addition; only Nigel Mazlyn Jones has done something similar.
Vision On (2008) continues the mix of progressive-pop vocal tracks and prog rock instrumentals, with more of a band vibe as Tim leads the same group of musicians from the previous CD. Some tracks feature a combination of Steve Hillage-style spaciness and neo-prog that is unique, and in fact this CD includes a track dedicated to Hillage and Gong. Tim feels this album represents a return to his prog rock roots.
Whose Dream Are You Living? is a 2017 CD though the bulk of the music was released in 2015 as a download. The music was remixed and extended for this CD. The album features the same Tim Burness Band nucleus of Fudge Smith (drums), Keith Hastings (bass), and Monty Oxymoron (keyboards), with Burness on vocals, electric & acoustic guitars, e-bow, guitar synthesizer, keyboards and programming. Among the five guests is Lee Abraham. This is Burness’ best album to date, a very solid melodic prog album that is going to make more than a few prog fans wonder how they could have missed this artist before now. “Whose Dream Are You Living? is certainly a strong candidate to crack my best albums of 2017 list. Fans of the better CDs by Peter Gabriel, Kate Bush, Steve Hackett and others should really check this album out.” [Proggnosis]. “[Tim Burness] has a very English approach to progressive and neo-progressive rock and hits many, many musical bases. He is a bit like a musical magpie, picking up the shiny things and hoarding them, and while they are all valuable, they certainly don’t all sound the same. The first number These Are the Days could have come from Fudge’s previous band Pendragon in the very early nineties, while And Set Your Spirit Free has so much energy that one can imagine it being played in the clubs in Ibiza. Some songs are full on and over the top, while others are incredibly delicate and restrained. This is what makes this such an incredibly solid album; there is huge variety and depth in what he does.” [Kev Rowland / Prog Archives] Watch the video for Grass Is Greener.
Beardfish leader and multi-instrumentalist Rikard Sjöblom established that band as one of the most important contemporary prog bands before Beardfish came to an end in 2016. Sjöblom has also been active in other music projects, including joining English band Big Big Train. One side project is Gungfly, which began as his solo project but evolved into more of a band and is now the main vehicle for his creativity. Lamentations (2011, digipack) is the second Gungfly album, following the well-received Please Be Quiet. Lamentations comes with a DVD (PAL, all-region) of Gungfly in concert in 2009 (67-minutes). On this album, Gungfly is similar to the shorter, vocal-oriented Beardfish songs (but not all Gungfly songs are short). Watch the DVD concert opener. Read the DPRP review.
Sjöblom decided to release his 2016 solo CD The Unbendable Sleep (digipack) under his own name, because while he has Gungfly and Beardfish members playing on the album, he knew he wanted to record most of the instruments himself. He recently acquired a 12-string electric guitar, a Clavinet, and an Arp Odyssey, all of which get a lot of use on this album. Rikard poured his heart and soul into this one; Beardfish fans will love it. Listen to the album sampler and watch Rikard working on Love and War Part Two: Lucky Star.
And now the artist name is Rikard Sjöblom’s Gungfly. On Her Journey to the Sun (2017, digipack) is a stellar 1970s-style prog album, one of our favorites of the year. At various times it evokes Canterbury, Gentle Giant, Genesis, or Kaipa, not to mention Beardfish. The first disc alone runs 74-minutes; this 2CD edition includes a bonus disc titled Best of Gungfly 2008-2011, covering the two earlier Gungfly albums. “Sjöblom’s Gungfly music is nothing short of remarkable, and anyone with a passing interest in him should take time to explore this album. Set loose from the confines of a particular style, the music here is lively and unpredictable. Fiercely progressive and wildly melodic, you barely have time to catch your breath before something new is thrown at you. Underpinning it all is that wonderful sense of classic songwriting though, and it is that which makes this release a contender for one of the albums of the year.” Read the full Echoes and Dust review, also the Progressive Music Planet review.
Excavations of the Mind (2010) is the debut for Sky Architect, a quintet of relatively young Dutch musicians including three from a Rotterdam conservatory. They come right out and state that they are interested in reviving the symphonic progressive style of the 1970s. Sky Architect are a bit hard-edged, dark, quirky, and technical. Beyond a vague sense of King Crimson or Gentle Giant, they don’t really call to mind specific bands. There are lots of vintage keys including Mellotron. It would have been nice to hear some suggestion of Focus, Kayak, Supersister, Trace, Finch, or any other Dutch 70s progressive rock instead of only British influences, but it’s not uncommon today to find young European prog musicians unaware of their own heritage. Nevertheless, this is a very promising debut by a band who’ve gone back far enough in their listening to find the real, undiluted prog. Mark Wilkinson created the CD artwork.
Probably just coincidence, but Sky Architect’s 2011 follow-up A Dying Man’s Hymn does at times sound like the great Dutch prog band Finch! And how many later bands have ever been compared to Finch? A Dying Man’s Hymn is quite an extraordinary album, more mature than their debut. It is more instrumental than vocal, not without some contemporary aspects but primarily classic prog with a dark, Van der Graaf Generator vibe. The band relocated to the woods of Sweden to record this album, woods known to be full of prog magic.
A Billion Years of Solitude (2013) is Sky Architect’s third, which they describe as “heavier, more daring and inventive”. They say the result is “a stunning outburst of creativity featuring surprising changes, crazy rhythmic devices, polyphonic arrangements, and complex song structures”. Read the Sea of Tranquility review. Watch the official video for Tides.
Sky Architect’s fourth album Nomad (2017, digisleeve) sees the band integrating their classic prog influences into a contemporary heavy prog style, likewise balancing complexity and chops with memorable melodies and stunning song climaxes. Read reviews of all the Sky Architect CDs at Prog Archives.
Christiaan Bruin is the Dutch musician who has released five excellent albums under the name Chris and eight discs of material in The Black Codex series, and is a member of Sky Architect, Nine Stones Close, and a few other bands. Inventions is a project akin to The Black Codex, where every two weeks Chris releases a new song plus a YouTube video in which he share the ideas and inspiration which led to the creation of the song. Along the way, he explores interesting ideas in art, mathematics, philosophy, music history and whatnot, to see how they can be applied to the creation of music. Meta is the first physical release containing all 11 songs from Series 1 plus four additional mixes. The CD comes in a lightweight mini-LP style sleeve. Watch the video for A Place Where We Belong.
Protein for Everyone (2014, digipack) is the fifth album for this band from Bristol, England. They marry the Canterbury style (e.g., early Soft Machine, Caravan) with classic psych-pop vocal melodies à la The Beach Boys, Stackridge, 10cc, early Split Enz, or XTC, with all the quirkiness that implies and more. One might compare them to a more accessible Antique Seeking Nuns (instrumentally anyway), or to Supersister, or (for those with an advanced degree in prog) to Moving Gelatine Plates. To quote the liner notes: “Occasionally melancholic and blackly humorous lyrics are wrapped in a musical blanket of odd time signatures, fizzing with lively energetic progressive arrangements that have a pop sensibility, luring you in with three part harmonies and earworm melodies before wigging out on an inappropriate glockenspiel and fuzz bass solo in 10/8.” This is a brilliant album, and you’ll probably need to watch the album preview video to hear for yourself. “This is a fantastic album and shows a band at the peak of their musical and compositional powers, and there is no weak track on it.” Read the full Progarchy and The Active Listener reviews.
While Protein for Everyone was on the Esoteric Antenna label, Schnauser have so much in common with bands on the Bad Elephant label that it’s not a surprise to see Irritant (2017, digipack) released by Bad Elephant. “Possessing a similar attention span to that of Cardiacs, Schnauser refuse to stay in one place for any length of time, musically speaking. Irritant is fit to bursting with the kind of abrupt chord changes, wonky tempos and lyric impishness that have sustained them since their formation in 2005, singer-guitarist Alan Strawbridge leading the quintet through a thicket of songs at breathless pace.” Read the full Prog magazine review. “...this strange hotch-potch of styles is incredibly appealing, even though I’m not sure why... This is a very British album; there is just no way any other country could bring together a mess of influences like this and make it into something that is quite special.” Read the full Prog Archives review, also The Progressive Aspect and Astounded by Sound reviews. Listen to The Monday Club.
Please Come Home (2015, digipack) is the debut CD for Lonely Robot, the project of songwriter/guitarist/vocalist/producer John Mitchell (Kino, It Bites, Frost, Arena). Mitchell is backed by Nick Beggs (Lifesigns, Steven Wilson, Steve Hackett, Iona,... ) on bass and Craig Blundell (Pendragon, Frost, Steven Wilson) on drums. Steve Hogarth (Marillion) performs on two songs on piano and backing vocals. Touchstone’s Kim Seviour sings on one track. Heather Findlay (ex-Mostly Autumn) sings a duet on one track, in more of a Kate Bush style than her usual delivery, while Peter Cox (Go West, Manfred Mann’s Earth Band) sings on another track. Nik Kershaw contributes a guitar solo to one track, and keyboardist Jem Godfrey (Frost) plays on two tracks. English actor Lee Ingleby (Master & Commander, Harry Potter) provides some narration to link tracks together. This comes closest to Kino and Frost and will certainly be one of the top modern prog albums of the year. Watch the album teaser and the videos for Are We Copies? and God vs. Man. This is the European digipack special edition with three bonus tracks; all are alternate mixes of album tracks.
The follow-up The Big Dream (2017, digipack) again features drums by Craig Blundell, with all other instrumentation by Mitchell himself. This CD includes three bonus tracks. Read The Prog Mind and Progradar reviews.
Fulano is a long-lived Chilean band, probably the most sophisticated prog/fusion band that country has produced. Fulano combine fusion, progressive, ethnic, and RIO elements. Sax, flute, and clarinet combine forces with vocals, keyboards, bass, and drums. This 2017 digipack CD is an excellent document of the current incarnation of the band, recorded live without overdubs at the 2010 edition of the Festiv Alter Nativo festival that takes place annually in Mexico. Listen to Suite Recoleta and Godzilla.
The Great Filter (2017, mini-LP sleeve) is the debut for French band The Orvalians, a new entry in the Zeuhl (Magma-style) universe. The Orvalians emerged from the band Rhùn.
Shreds of Evidence (2017, digipack) is a collection of Flamborough Head rarities. Most of the tracks originally appeared on various artists projects including Mellow Records’ The Moody Blues tribute, Musea’s The Flower Kings tribute, Cyclops sampler CDs, Progwereld’s Prog NL CD, and the Dante’s Inferno, Purgatorio, and Paradiso projects. None of these tracks are simple alternate mixes or edits. One is a reworked and extended version, otherwise the tracks do not appear on other Flamborough Head CDs. There are also some obscure unreleased live tracks. See the full track list specifying the origin of each track.
The other titles are the 2016 digipack second editions released on the Polish Oskar label. The audio of Tales... and Bridge... was remastered in 2016.
Unspoken Whisper (1997) is the debut from this Dutch prog band singing in English. It is good neo-prog with a strong Genesis/Camel influence, felt predominantly during the instrumental sections of which there are many. Sweeping synths and piano from the two keyboardists give ample room for emotive guitar breaks in the Steve Hackett or Gary Chandler (Jadis) style.
Flamborough Head’s fourth album Tales of Imperfection (2005) continues with the same lineup as 2002’s One for the Crow, now with female vocals. This album is more instrumental though, with more flute and recorder and a very strong Camel influence. While guitarist Eddie Mulder doesn’t have quite the warm, smooth tone of Andy Latimer, his leads are otherwise Latimer-like, and the prominent flute will remind the listener either of Snow Goose-era Camel or, when paired with 12-string guitar, early Genesis. The vocal sections have a different feel of course, similar to early Quidam or Karnataka. Mellotron flavors some of the music, and there are four tracks around the ten-minute mark, so at least for those oriented toward 1970s prog, this is Flamborough Head’s strongest album to date.
Bridge to the Promised Land contains the first recordings of Flamborough Head. It was originally released in 1994 only on cassette and led to the band being signed by the British Cyclops label. After Cyclops released the Unspoken Whisper and Defining the Legacy CDs, they released a CD of Bridge to the Promised Land in 2001 in a limited edition of only 500 copies. The CD includes three previously-unreleased tracks plus three very different versions of tracks from Unspoken Whisper and Defining The Legacy.
See our Dutch page for the full catalog of Flamborough Head CDs currently in-print, along with more info.
Spanish band Kotebel play instrumental symphonic prog that is an adept synthesis of classical and rock by musicians with a first-hand knowledge of classical music. Initially more melodic and romantic, Kotebel’s music has become increasingly angular and challenging and now represents a blend of the two styles, as one can hear in the album promo video for Cosmology (2017, digipack). This new album is centered on the Cosmology Suite, an ambitious work based on the musical representation of four conceptions of the cosmos. Watch the video for A Bao a Qu.
Live at Prog-Résiste 2013 is a double-CD (2016, digipack) featuring a remastered version of the album released in 2014 only as a digital download, containing Kotebel’s complete concert at the 2013 Prog-Résiste convention in Belgium. The album features the complete Concerto for Piano and Electric Ensemble plus pieces from Ouroboros. As such, this is Kotebel’s modern style, which is challenging and complex, closer to the likes of Anglagard, as opposed to Kotebel’s earlier more melodic/romantic style. This 2CD adds bonus tracks from Kotebel’s concerts at Portugal’s Gouveia Art Rock festival in 2007 and Madrid in 2011. See our Spanish page for more Kotebel CDs and more info.
Monarch Trail is the new band assembled by Canadian Ken Baird after five albums under his own name, and the natural evolution of Baird’s music. After Baird had written some music that required more collaborative arrangements than usual, he asked drummer Chris Lamont and bassist Dino Verginella to be a part of Monarch Trail. Lamont played on Baird’s previous three albums and Verginella on the previous two. Three guitarists split the guitar duties on each album, one of whom is Steve Cochrane, who also mastered both. Those familiar with Baird’s albums will feel right at home, but the band dynamic has taken the music to a new level, and Skye (2014, digipack) is one of the finest neo-Genesis style albums in a long time. Not in the sense of aping Genesis but rather sharing an aesthetic, one that has otherwise been supplanted. Skye consists of just four tracks, the longest exceeding 20 minutes. Plenty of prog bands these days attempt long tracks, most of which are simply fatiguing, not the case here as the music evolves and builds effortlessly and logically. (We’ve all heard long tracks with alternating loud and soft bits that could be rearranged in any order and the track stopped at any point, and it would make no difference.) Read reviews at Prog Archives.
Sand (2017, digipack) picks up where Skye left off. Listen to Station Theme and Missing. Incidentally, Ken tells us that the first Monarch Trail CD outsold the five Ken Baird CDs combined, which is a good gauge of how biased prog fans are against albums released under an individual’s name as opposed to a band name. But there is a steady, gradual evolution from the first Ken Baird album through the Monarch Trail albums, so be sure to check out the Ken Baird albums as all are close to going out-of-print.
Italian band The Watch have had a successful career as a clone of Gabriel-era Genesis. Their seventh studio album Seven (2017, digipack) features a guest appearance by Steve Hackett. Listen to It’s Only a Dream and Disappearing Act. Read The Progressive Aspect review. See our Italian page for the rest of The Watch CDs.
Cosmograf is one of the ascendant stars of the British prog scene, a project led by multi-instrumentalist Robin Armstrong, who cites Steven Wilson, Roger Waters, and David Gilmour as some of his inspirations. Robin says the sixth Cosmograf album The Hay-Man Dreams (2017) harks back to the sound and feel of the classic prog era. “To complement the vintage theme, I wanted a warm retrospective sound. I’m making no apologies for this and I’m relinquishing any claims on being progressive with a small ‘p’. I’m largely fed up with the argument and I’m pretty tired of the notion that everything has to be new and original to be good. I like old stuff…The best music was made in 1970s. It’s a sound I’m familiar with and one I fell in love with when I was 15. Classic rock-inspired guitar, bass and drums, with some vintage keyboards. In fact you won’t find a single instrument on the album that wasn’t available in 1973, albeit a lot of the keyboard parts are very modern simulations of the real thing of course.” Guests include Rachael Hawnt (The Beautiful Secret), Kyle Fenton (These Septic Stars), Matt Stevens (The Fierce and the Dead), Rachel Hall (Big Big Train), and former BBC voiceover artist David Allan. Watch the album teaser, album sampler, and the video for Cut the Corn. See our British page for more Cosmograf CDs and more info.
German melodic neo-prog band Karibow won the 2014 German Rock & Pop Award in the category Best Progressive Band. Karibow have a discography stretching back to 1997 or 1998 that few outside Germany know about, and bandleader Oliver Rüsing had previously been a member of Last Turion. From Here to the Impossible (2017, digipack, 72-minutes) features Jim Gilmour (Saga), Monique van der Kolk (Harvest), Sean Timms (Unitopia, Southern Empire), Mark Trueack (UPF), Marek Arnold (countless prog bands), Daniel Lopresto (Southern Empire), and other guests. Karibow have toured with Saga, and with the presence of Jim Gilmour here and Michael Sadler on the previous album, Saga is a fair reference point as is the whole Unitopia family of bands. Watch the album trailer and the earlier sneak preview. Read the Progradar review.
Discipline have rightly been hailed as the American Van der Graaf Generator and one of the top U.S. prog bands ever. Their new studio CD Captives of the Wine Dark Sea (2017, digipack) will be the U.S. prog album to beat in 2017. Watch the album teaser and the video for Life Imitates Art. See our U.S. page for more Discipline and related CDs.
English band Big Big Train began in the early 1990s as a soft neo-prog band, but steadily improving with each album, they have grown into one of the top progressive rock bands in the world, and one that is breaking new ground. The band that had already added drummer Nick D’Virgilio, former XTC and Peter Gabriel guitarist Dave Gregory, and best-singer-in-prog David Longdon, has now added Beardfish mastermind Rikard Sjöblom! Who doesn’t want to board Big Big Train now?
Big Big Train’s 10th album Grimspound (2017, digisleeve) follows swiftly after Folklore as the band found themselves with a wealth of new material and writing input from their newer members. They probably also realize that they’re at both a creative and popularity peak and are not taking the future for granted. Bassist Greg Spawton says: “There is some complex music on this album, with extended instrumental sections alongside vocal passages. We had a lot of fun making the album and have pushed ourselves as progressive rock bands should.” Judy Dyble adds vocals to “a song concerning the reported sightings of a ghostly apparition beside the cemetery gates in a quiet English village.” Nick and Rachel sing some lead parts on this album, further expanding the sonic palette. Watch the videos for As the Crow Flies and Experimental Gentlemen. Read the Progradar, The Progressive Aspect, and The Prog Report reviews.
And The Second Brightest Star (2017, digisleeve) follows just a couple months after Grimspound (which in May hit number one in the UK Official Rock Album Chart!), as The Second Brightest Star is considered a companion album. It features over 40 minutes of new songs and instrumentals plus 30 minutes of bonus music from the Folklore and Grimspound albums presented in extended formats. Listen to the title track. Read The Prog Report review.
A Stone’s Throw from the Line (2CD, 2016, digisleeve) is Big Big Train’s first live album. The album was recorded at the three sold-out Kings Place, London shows in August 2015 that garnered the band the Live Event of the Year award at the 2016 Progressive Music Awards. Those shows saw Big Big Train return to the stage after a 17-year absence. The best performance of each song from the three gigs made it to the CD while maintaining the actual running order of the shows. A 40-page booklet is included.
See our British page for the rest of the Big Big Train CDs. Note the majority have gone out-of-print, so if we have those in stock, they are our last copies.
Belgian band Fish on Friday play a pop/prog blend that reviewers often compare to The Alan Parsons Project. The man corresponding to Parsons in Fish on Friday is keyboardist/vocalist Frank Van Bogaert, who owns one of the top studios in Belgium. Godspeed (2014, digipack) is Fish on Friday’s third but their first for the Esoteric Antenna label (Esoteric’s imprint for new music). “The addition of renowned bassist Nick Beggs and the ever-busy saxophonist and flautist Theo Travis has only enhanced and added a certain elegance to the sound on Godspeed. Fish on Friday have generated comparisons to The Alan Parsons Project, not only musically but also in terms of it being a producer/engineer-led project. That trend is continued here, most notably on Radio and Stay, which recall the Parsons album Pyramid. There’s also a hint of Yes that pops up during Godspeed. Yet it’s not all about recreating the triumphs of the 70s, and Ghost Song is almost Steven Wilson-esque in stature. There are also countless original twists on Sanctuary and Tick-Tock, confirming that Fish on Friday possess a readily identifiable sound. Ultimately, it’s an outstanding, articulate and impeccably presented album.” [Prog Magazine] Watch the album trailer.
For Quiet Life (2017, digipack), Fish on Friday attracted the attention Alan Parsons, who invited them to work with him at Abbey Road studios. As a result, Alan produced the song In the Key of Silence on this album and guests as backing vocalist. Nick Beggs is still the bassist, and guests include Theo Travis, John Mitchell, and Lula Beggs (Nick’s daughter). Lula, who was voted 2016 best independent female vocalist in the UK, shines in two beautiful duets with Frank. Watch the album trailer. Read the Progradar review.
Mogador are an Italian prog band from Como with one English expat, drummer/singer/lyricist Richard Allen. They were a quartet on their self-titled 2009 debut (out-of-print), continuing as a trio handling the same instruments on All I Am Is of My Own Making (2010). Mogador matured a great deal on AIAIOMOM. The production is greatly improved and the music is more original, eclectic, and multi-faceted. The departure of the guitarist who played on the debut is a positive development, as he preferred a heavier style. There is a strong Yes influence on AIAIOMOM, but overall the music feels closer to Glass Hammer (who are also very Yes influenced), with a good balance between electric and acoustic guitars, alongside mostly vintage keyboard sounds. The first two CDs are both primarily 1970s-styled though not entirely retro, more so AIAIOMOM with its greater sophistication and elegance. Read the Classic Rock Presents Prog review.
Absinthe Tales of Romantic Visions (2012) shows an evolution in style, sounding like it came straight out of the early 1970s, not Italy but Britain. This album features four international guest singers including Jon Davison (Yes, Glass Hammer) and two female singers. Absinthe... has a lot of hard-edged guitar, but still a 70s guitar tone. While one could mention Crimson, Gentle Giant, Tull, Van der Graaf, Yes, and Genesis, the music reminds us more of first generation American prog bands such as Netherworld, Mirthrandir, etc., who likewise absorbed the styles of those British bands and created albums of great quality. Listen to the album preview and the short song The Sick Rose.
The title of Mogador’s fourth CD Chaptersend (2017) refers to the closing of the first chapter of the band. They say that this new 74-minute disc has two distinct parts. The first part picks up where Absinthe Tales of Romantic Visions left off, with Jon Davison again singing on one song. The second part comprises completely reworked versions of the Fundamental Elements Suite from Mogador’s out-of-print 2009 first CD. Mogador have expanded to a quintet here, plus guests on violin and flute.
See our Italian page for the related band Sarastro Blake.
Bent Knee was formed in 2009 at Berklee College of Music in Boston. For their fourth album Land Animal (2017), the band have moved to the InsideOut label, which seems like an odd fit. For Bent Knee are an unusual prog/art-rock band that probably fall in the love-’em-or-hate-’em category. Newcomers are required to watch the videos for the title track and Terror Bird and read The Prog Report review. Brace yourself! This is the U.S. jewel case edition.
The Dutch band Plackband formed in the mid-1970s and were most influenced by Genesis. They took an 18-year holiday, reuniting in 2000. After 30 years, Plackband rebooted as PBII with three of the original members and the desire for a more modern sound. Plastic Soup (2010, digisleeve, 69-minutes) includes guests John Mitchell and John Jowitt, two guys who never met a neo-prog band they didn’t want to play with, and singer Heidi Jo Hines. It’s not a radical change from Plackband, as the old Genesis influence is still present most of the time. PBII’s desire for a more modern approach has more to do with the use of modern sounds, modern production, and the sound of the mix than a change in musical style. In addition to a standard CD, this Dutch edition of Plastic Soup includes a DVD (PAL, all-region) containing a 5.1 surround mix of the entire album, plus two videos. (There was a U.S. edition that lacked the DVD.) Read the Background Magazine and DPRP reviews.
The PBII@Boerderij.org DVD (2011, PAL, all-region) contains the launch concert for Plastic Soup. PBII perform the entire album plus additional songs that include covers of Here Comes the Flood and Have a Cigar. The concert features performances by John Mitchell, John Jowitt, and Heidi Jo Hines. It was shot by six HD cameras. The band says: “You will enjoy this concert in High Definition picture and sound”, and of course you won’t because this is a DVD, which is standard-definition picture and sound. (There is no Blu-ray.) Extras include behind the scenes material. 104 minutes, Dolby Digital 5.1 surround audio.
1000 Wishes is PBII’s most ambitious project to date. The CD (2013, digipack) features The Hague Youth Symphony Orchestra, and Steve Hackett guests. The story is about the fight of a young boy against cancer and more generally about cancer in children. This is certainly PBII’s best music so far, symphonic neo-prog that is often reminiscent of Yes due in part to the singer’s voice, while you may also flash back on Grobschnitt’s Rockpommels Land on occasion. Watch the promo video and the video for Evil Weed. Read the Background Magazine and DPRP reviews.
PBII have performed 1000 Wishes as part of a rock opera with the orchestra and a theater group (actors and dancers). The performances of 30-31 March 2013 were captured on the 1000 Wishes DVD (PAL, all-region, digipack). While the lyrics are in English, the play portion is in Dutch, so you have been warned, but it is a unique spectacle. Watch the DVD trailer.
Rocket (2017, digisleeve) is subtitled The Dreams of Wubbo Ockels. Ockels was the first Dutchman to go into space, and the Background Magazine and DPRP reviews will fill you in on the story behind this album. The band is assisted by three violinists and a cellist, while Nad Sylvan sings lead on one song. Singer Ruud Slakhorst sounds a lot like Jon Anderson, and this is an elegant Yes-influenced work that soars. Watch the teaser video and the video for Rocket Part II.
Glasgow’s Comedy of Errors had been known (if they were known at all) as the other Scottish neo-prog band, after Pallas and Abel Ganz. Though the band formed in 1984, their time had not yet come. Comedy of Errors are calling Disobey (2011, digipack) their debut, but the band released a vinyl mini-album in 1986 that compiled their demos to that point. Those tracks were later combined with 1987 demos to form the eponymous CD released in 1988 by the French UGUM/MSI label. (Good luck finding that now.) The 2011 reformed Comedy of Errors features the three core members from those days, a new drummer, and a bit of assistance from Hew Montgomery (ex-Abel Ganz). Rob Aubrey did the final mixing and mastering for all these CDs, almost a requirement for a UK neo-prog CD. If you’re a fan of UK neo-prog and didn’t know of Comedy of Errors before, you are in for a treat. And if you do know Comedy of Errors, you are in for a treat. Read reviews at Prog Archives. Listen to the Disobey montage.
Comedy of Errors’ triumphant comeback continues with Fanfare & Fantasy (2013, digipack). Read reviews at Prog Archives. Listen to the Fanfare & Fantasy montage.
Spirit (2015, digipack) is Comedy of Errors’ best sounding CD to date and one that every self-respecting fan of neo-prog needs. Read reviews at Prog Archives. Listen to the Spirit sampler.
House of the Mind (2017, digipack) features five new tracks (two of epic length), plus a rearranged/rerecorded version of the classic Ever Be the Prize from Comedy of Error’s 1985 demo cassette! “Since reforming in 2011, this Scottish collective have released three albums, reflecting styles ranging from their original neo-prog roots to more contemporary symphonic rock. This fourth outing – ‘an exploration of the Jungian unconscious and non-linear time’ – reiterates these stylistic threads, evoking the likes of Camel, Twelfth Night, IQ, and The Flower Kings in the process, while moving the band into new territory.” [TeamRock] Listen to the album sampler.
See the related band Grand Tour.
Rob Reed is of course Magenta’s keyboardist and leader and one of those musicians who requires multiple outlets for his creativity (e.g., Kompendium, Kiama). Sanctuary (2014, digisleeve) is a rather amazing work, as it is in essence an alternate-universe version of Mike Oldfield’s Tubular Bells, to right-thinking people everywhere one of the most important progressive rock albums ever made. (If the current generation of prog fans sometimes seems clueless about Mike Oldfield in general, there is this perspective: Oldfield is one of only four individual artists to whom Paul Stump devotes a section of his The Music’s All That Matters book, the others being Peter Hammill, Robert Fripp, and Anthony Phillips. The others owe much of their renown to the bands they were in.) Reed even secured the collaboration of Tubular Bells producers Tom Newman (who co-produced) and Simon Heyworth (who mastered Sanctuary) after receiving their seal of approval. If Reed’s abilities on instruments other than keyboards hadn’t been apparent before, they are now, as he plays everything by hand, apart from the nonsense-syllable vocals. Reed was inspired to become a musician and composer at the age of seven after discovering Tubular Bells. So inspired was he by the album that he learned to play not just one but all the instruments featured on that album. We always thought Rob Reed had his head and heart in the right place musically, and this seals it. The DVD (NTSC, all-region) contains the album in 24/96 stereo and DTS 5.1 surround for maximum bliss, plus the promo videos. Watch the videos for Sanctuary Part 1 and Sanctuary Part 2 (excerpt), the latter a great piece of comedy with a special guest star, and you should find a few more of the promo videos nearby.
Rob Reed cements his status as the second coming of Mike Oldfield with Sanctuary II (2016, digisleeve), a double-CD + DVD (NTSC, all-region) set. The first CD contains Sanctuary II Parts 1 & 2. The second CD contains two more songs, two tracks from the Marimba EP, and some alternate versions/mixes. The DVD contains a 5.1 surround mix and 24/96 stereo of Sanctuary II Parts 1 & 2 as well as promo videos. Simon Phillips (who played on several Oldfield albums) plays drums, Angharad Brinn handles lead vocals, Les Penning plays recorders, and Tom Newman adds bodhran in addition to being credited as executive producer. The women of Synergy Vocals do the nonsense-syllable vocal style that Oldfield invented (and which Karl Jenkins later ran with in Adiemus). As Reed is carrying on Oldfield’s legacy, this album also moves forward in time from the Tubular Bells style of the first Sanctuary album to the next Oldfield phase, using a drummer and increasing the majesty of the soaring guitar lines. Uplifting, to say the least. Watch album promo 1, promo 2, and promo 3.
Sanctuary Live (2017) was recorded in October 2016 at Peter Gabriel’s Real World Studios by a 13-piece band, including fellow Magenta members Christina Booth, Chris Fry, Jiffy Griffiths, and Dan Nelson, plus vocalist Angharad Morgan (Kompendium). Reed’s ensemble performed a selection of music from his highly successful Sanctuary 1 and Sanctuary 2 albums as well as Willow’s Song. Both the DVD and CD feature the entire show; the DVD adds a documentary. Watch the promo video.
Variations on Themes by David Bedford (2017) is a CD-EP of Reed’s reinterpretations of three Bedford compositions. David Bedford was a renowned classical composer and Mike Oldfield collaborator who passed away in 2011. He would have been 80 in August 2017, and this EP is part of a celebration of his work. Alongside Reed, the EP features Terry Oldfield, Les Penning (Ommadawn), Angharad Brinn, and Tubular Bells producer Tom Newman who also mixed the album. The EP contains Rio Grande from Bedford’s album The Rime of the Ancient Mariner, King Aeolus from The Odyssey, and the title track from Nurses Song With Elephants. These pieces are then repeated once or twice in alternate mixes. Watch the video for King Aeolus. Those unfamiliar with Bedford would do well to listen to Reed explain things, or head to Prog Archives.
Note the 45 Anos title above doesn’t actually appear anywhere on the double-CD -- they forgot that a CD needs a title -- but it’s what amazon is calling it, so we’ll be consistent. O Terço are one of the pioneering and best Brazilian symphonic prog bands, their best work being 1975’s Criaturas da Noite. O Terço seemed to be influenced by the more lyrical Italian prog bands, and in fact the two best O Terço albums were released on CD in Italy before they were released in Brazil. 45 Anos... is O Terço’s latest live recording, a 2015(?) concert featuring the original members playing the band’s most progressive material. The booklet and traycard are generally unhelpful, but we think this 2CD corresponds to the audio in this video.
After their first period of activity, roughly 1970-82, O Terço disbanded, then reformed as a trio circa 1990 with guitarist/singer Sérgio Hinds the only original member and released a forgettable self-titled album. Drummer Franklin Paollilo returned for Time Travellers (1992), the band back to a quartet and with their direction sorted out. Time Travellers marked a return to progressive rock, a very good album even if the sound is updated from 1970s O Terço. The lyrics here are in English and the style closer to international standard prog. Read reviews at Prog Archives.
Gustavo Montesano was the leader of the Argentine prog band Crucis. Homenaje (1977) was his first post-Crucis album. This is still the 1996 CD reissue that contains two bonus Crucis tracks. The CD had been unavailable for some time but has recently been repressed. Gustavo considers this the third Crucis album since the other Crucis musicians play on most of it, along with other outstanding instrumentalists. ‘Montesano’ became the band name on El Pasillo (1982), and the band included his brother Marcelo. If you can’t guess from the years, Homenaje is the proggier of the two, an Argentine prog classic, but El Pasillo is still quite good. In between the two albums, Gustavo collaborated with Alejandro De Michele of Pastoral in Merlin.
We’ve restocked several of the South American classics, so you might kill some time on our South American page.
This (2017, digipack) is the debut by Valdez, a prog/pop band from the Philadelphia area, but behind the new name are some familiar musicians. Number one is British expat Simon Godfrey (vocals, guitar), who was the leader of Tinyfish. Tom Hyatt (Echolyn) is the bassist. Keyboardist Joe Cardillo and drummer Scott Miller round out the quartet, while Echolyn’s Brett Kull produced the album and supplied additional guitar and backing vocals. Valdez was formed a few decades earlier as an ELO covers band, and though the current band is quite different, one can still hear traces of that Beatles-filtered-through-Jeff-Lynne influence. Maybe because Todd Rundgren is from Philly, the music makes us think of a blend of Todd, Tinyfish, and Echolyn. “This is a great album. I am still not tired of this pun and I don’t see myself getting tired of this album either. I had high expectations going in and Valdez delivered the goods. I hope the band is not just a side project because they are way too good to be relegated to that! This is damn good and you need to check This out. Rating: 9.5/10” Read the full Progressive Music Planet review. “...as wonderful a piece of crossover poptastic progressive rock as one could ever wish to hear. To say that this is a joy to listen to is to understate it immensely, and Simon in particular is a revelation. I don’t think I’ve quite heard everything he has released, but I’ve certainly heard most of it, and based on that I can say that it is easily the best thing he has ever been involved with. It oozes class, has hooks aplenty, loads of space and room to breathe, and is just awesome.” Read Kev Rowland’s full Prog Archives review. Watch the video for Black Eyed Susans, which in another era would’ve been the album’s hit single.
AKP (Antony Kalugin Projects) is the umbrella name for Ukrainian prog bands Sunchild and Karfagen. Maybe also Hoggwash and AKKO, but on this 2017 digipack DVD+CD, it’s Kalugin’s live ensemble on their 10th anniversary tour performing Sunchild and Karfagen material. (Karfagen is mostly instrumental, while Sunchild usually features vocals.) The 106-minute dual-layer DVD (PAL, all-region) and 79-minute CD were recorded live in Poland in April 2016. The DVD also includes some 2016 studio live material, plus two full albums as 320 kbps mp3s: AKP Live 2016 and Gnomology: The Best Collection (2012). Watch some of the live performance videos. If after ten years you still haven’t realized how good these related bands are, see our East European page for info on Karfagen and Sunchild and their studio CDs.
The Optimist (2017) is Anathema’s eleventh studio album. For the first time in years, Anathema recorded as a live band for a studio album, capturing an energy normally only present on stage. The Blu-ray is the format for audiophiles, containing 24/96 DTS-HD 5.1 and 24/96 LPCM 5.1 surround and 24/96 stereo (all lossless), plus mp3 download. The DVD (NTSC, all-region) in the CD+DVD mediabook (hardcover) contains 24/96 DTS 5.1 (lossy) and 24/96 LPCM stereo (lossless). The 5.1 mix is by Bruce Soord (The Pineapple Thief), who now has a number of surround mixes under his belt, while the album was mastered at Abbey Road Studios. Watch the video for Springfield. Read the Prog Sphere, Pop Matters, and Drowned in Sound reviews. The mediabook counts as 1.5 CDs for shipping. Check our Blu-ray/DVD page for Anathema’s concert film Blu-rays.
As the press release states, Quiet Storms (2017, digipack) is a new Galahad album with a difference. As the title suggests, it shows a more mellow and at times pastoral side to the band’s output, containing almost none of the bombast and heaviness of the previous three studio albums. Instead the majority of the songs and their arrangements evoke a more laid back, spacious, and introspective atmosphere. You could say that Quiet Storms is a kind of consolidation album including some new songs plus a few older, slightly reworked versions of tracks that have never been released on an album before. As well as featuring songs that were included as extras on recent reissues, Quiet Storms includes several new songs along with new reworkings of older songs, plus a few tracks from the 2014 EPs now appearing on an album for the first time. Unusually for Galahad, the album also contains a couple of covers, one being a stripped-down piano/violin/vocal version of Rammstein’s Mein Herz Brennt, and a reworking of the John Grant track Marz with additional lyrics by Stu which, ironically, make it a deeply personal track. In addition to the core of the band, Quiet Storms includes several guests including Christina Booth (Magenta) on vocals, Karl Groom (Threshold) on acoustic guitars and occasional keyboards, long-time Galahad cohort Sarah Bolter on flute, clarinet, soprano sax, and backing vocals, and Louise Curtis on violin. See our British page for the rest of the Galahad CDs.
The CD Karma (2017, digisleeve) is the seventh for Swedish prog band Brother Ape, containing eight songs culled from a series of three digital EPs that began in 2015. The intent was to eventually pick the favorite songs from those and release them as this album, with additional songs added. The first EP Worlds Waiting was released in autumn 2015, followed by Mandrill Anthem and Other Tales in spring 2016 and First Class in autumn 2016. All the songs from First Class made the cut, while the other two contributed only one each; two more songs make their first appearance. See our Scandinavian page for the rest of the Brother Ape CDs still in print plus info on the band.
Signed to IQ’s Giant Electric Pea label, Damanek is led by Guy Manning, whose previous band Manning is responsible for a large catalog of high quality prog. Following an impressive first show at the 2016 Summer’s End festival, On Track (2017) is Damanek’s debut album. The band is Guy (lead & backing vocals, keyboards, acoustic instruments, guitars, EBow, percussion), Dan Mash (bass), Marek Arnold (saxes, clarinet, keyboards, Seaboard), and Sean Timms (keyboards, banjo, backing vocals). Sean Timms (Southern Empire, Unitopia) put his Mister Class and Quality stamp on the production. Damanek could be seen as an alter ego of United Progressive Fraternity since Guy, Dan Mash, and Marek Arnold are all UPF members, and Sean Timms was in UPF’s parent band. (Marek Arnold now is in so many prog bands that we’ve stopped trying to list them.) The album also features a host of guest musicians including Brody Thomas Green (Southern Empire), Luke Machin (Maschine/Kiama/The Tangent), Tim Irrgang (UPF), Nick Magnus, Phideaux Xavier, and more. Listen to the track Long Time, Shadow Falls. Read this review on Progressive Ears.
Nad Sylvan first appeared on the prog scene as singer in the Genesis-inspired Swedish duo Unifaun before joining Roine Stolt in Agents of Mercy. More recently, Nad has been Steve Hackett’s singer. Nad’s first solo album Courting the Widow (2015, 70-minutes) features an impressive cast of guests including Steve Hackett, Roine Stolt (The Flower Kings, Transatlantic), Nick Beggs (Steve Hackett, Steven Wilson, Lifesigns,...), Jonas Reingold (The Flower Kings), Nick D’Virgilio (Big Big Train, Spock’s Beard), Gary O’Toole and Rob Townsend (Steve Hackett), Doane Perry (Jethro Tull), Annbjørg Lien, and others. Rooted in classic prog, Nad considers Courting the Widow “very much a symphonic album... I feel that I have delivered an album that’s true to myself and my values in life. It’s heartfelt, passionate, emotional, and full of dramatic passages.” Read The Prog Mind review. Listen to the album teaser.
Nad’s follow-up The Bride Said No (2017) features guests Roine Stolt, Steve Hackett, Guthrie Govan, Tony Levin, Jonas Reingold, Nick D’Virgilio, Doane Perry, and more. Watch the video for When the Music Dies. Read the DPRP reviews.
The Samurai of Prog is a project put together by Marco Bernard, the editor of Colossus magazine and the guy who organized all those various artists conceptual albums published by Musea. Bernard is an Italian who before moving to Finland was a member of the Italian band Elektroshock at the end of the 1970s. The core of The Samurai of Prog is Bernard on bass, drummer Kimmo Pörsti (leader of Mist Season), and American Steve Unruh of Resistor (vocals, violin, flute, acoustic guitar). There are numerous guest musicians on Undercover (2011), including Roine Stolt and Jonas Reingold (The Flower Kings), David Myers (The Musical Box), Alfio Costa (Tilion, Prowlers, Daal), Guy LeBlanc (Nathan Mahl), and Michael Manring. Undercover includes covers of some prog rock chestnuts: The Lamia (Genesis), Starship Trooper (Yes), World of Adventures (The Flower Kings), Assassing (Marillion), Gravita 9.81 (Arti+Mestieri), Dogs (Pink Floyd), and Jerusalem (based on the ELP arrangement). There is one original song written by Kimmo Pörsti and another by David Myers. The album concludes with four Elektroshock compositions, performed here by Steve Unruh’s band Resistor, Alfio Costa & Guglielmo Mariotti (Italy), Roz Vitalis (Russia), and Contrarian (USA).
Secrets of Disguise (2013) is a double-CD that contains some original compositions alongside the covers. But these are not the same old tracks that always get covered nor are they all covers of English bands. There is some depth here, with tracks from England, Crack, Sandrose, and Utopia, not to mention Van der Graaf Generator, Gentle Giant, PFM, Genesis, Yes, King Crimson, and Rush. The guest musicians include Jon Davison (Yes), Roine Stolt, Guy LeBlanc, Robert Webb (England), David Myers, Mark Trueack (Unitopia), Phideaux Xavier, Kamran Alan Shikoh (Glass Hammer), Linus Kåse (Änglagård), Mento Hevia (Crack), Lalo Huber (Nexus), Andrew Marshall (Willowglass), and many others. Watch/listen to the album montage. Read reviews at Prog Archives.
The big change with The Imperial Hotel (2014) is that it is all original material. It is probably our second favorite CD of 2014, after Dave Bainbridge’s Celestial Fire. The core of the band remains Bernard, Unruh, and Pörsti, with major contributions from Robert Webb, Linus Kåse, David Myers, and Octavio Stampalia (Jinetos Negros). Guests include Yoshihisa Shimizu (Kenso), Kamran Alan Shikoh, Andrew Marshall, Martin Henderson (England), and more. All that talent and all that experience covering classic prog has translated to a fantastic album of classic-style prog. This is the real thing, with a lot of Yes and Genesis influence, Genesis style whimsy and Gentle Giant style intricacy, coming closest overall to England (Garden Shed). Well, that last statement has a lot to do with the fact that the title track and centerpiece of the album is the lost jewel of the band England, a 28-minute 1975 composition that finally sees the light of day. And it was worth the nearly 40 year wait. Despite the different composers, the entire album sounds remarkably cohesive. The CD comes in a beautiful six-panel mini-LP style sleeve with 40-page booklet and artwork by Ed Unitsky. “The Samurai of Prog have outdone themselves with The Imperial Hotel and I can safely say this is one of the best prog releases of 2014. If you enjoy the likes of Genesis, Yes, Kansas, et all, I cannot recommend this album enough.” [Sea of Tranquility] Watch the album overview video.
Lost and Found (2016) is a double-CD in a gorgeous six-panel mini-LP style sleeve, full of Ed Unitsky’s incredible artwork, with a 32-page booklet. Working with original members of Pavlov’s Dog, Lift, Cathedral, Odyssey, and Quill, The Samurai of Prog have excavated lost prog epics from the 1970s by these bands. Because of dissolving record contracts, band line-up changes, and the shifting landscape of popular music, these amazing compositions were never properly recorded... until now! These songs had survived only as old cassettes containing demo recordings, band rehearsals, or live performances. The Samurai have recorded stunning, brand-new arrangements, and the result transcends a mere new prog album. This is living history, or revisionist history, rendered in audiophile quality. The Samurai of Prog remains the core trio of Marco Bernard, Kimmo Pörsti, and Steve Unruh, plus Tom Doncourt and the late Stefan Renström (Simon Says). Special guests include Jon Davison (Yes), Mark Trueack (UPF, Unitopia), K. Alan Shikoh (Glass Hammer), David Myers (The Musical Box, solo), Linus Kåse (Änglagård), Chip Gremillion (Lift), Keith Christian (Quill), Johan Öijen (Brighteye Brison), and Steve Scorfina (Pavlov’s Dog). The album includes a 57-minute track The Demise written by Ken DeLoria and the other Quill members. Watch the album overview video.
On We Sail (2017, mini-LP sleeve) contains all original songs. To name just some of the large number of guests: Brett Kull (Echolyn), Michelle Young, Jacob Holm-Lupo (White Willow), Sean Timms and Mark Trueack (Unitopia), and Luca Scherani (La Coscienza di Zeno, Höstsonaten). Listen to the long album sampler.
Abel Ganz was the other Scottish neo-prog band during the 1980s progressive revival, Pallas being the better known of the two. Abel Ganz’s singer Alan Reed became Pallas’s second singer. Abel Ganz’s 1980s albums were initially only available on cassette before being reissued on CD circa 1991 by a now-defunct French label. The sound quality on those wasn’t great. In 2016, band co-founder Hew Montgomery remixed Abel Ganz’s 1984 first album Gratuitous Flash, keeping the original audio in the mix while augmenting it with additional sounds and keyboards. Of course if you remix, you must then remaster. There is one bonus track, Alan Reed’s superb solo arrangement of Kean on the Job. This is melodic symphonic prog that ranks with Pallas, Twelfth Night, Haze, Galahad, and Castanarc. Digipack.
Long Earth is a new branch of the Glasgow prog family tree. The Source (2017, digipack) is their debut. Long Earth features two former members of Abel Ganz: Ken Weir on drums and Gordon Mackie on bass. The music is a mix of influences firmly rooted in classic prog, and was recorded, arranged, and produced by the band members and Hew Montgomery (Abel Ganz, Comedy of Errors, Grand Tour). Check our British page for the rest of the Abel Ganz CDs and Grand Tour’s CD. Note a new Comedy of Errors CD is scheduled for 16 June 2017.
Lullabies in a Car Crash (2014, jewel case) is the debut solo CD by Airbag lead guitarist and main songwriter Bjørn Riis. While Riis sings backing vocals in Airbag, he is lead singer here. The album features Airbag’s Henrik Fossum on drums and Asle Tostrup providing loops and effects. Long-time Airbag collaborator Vegard Sleipnes co-produced the album along with Bjørn. Bjørn says the album is very much a personal statement, with lyrics dealing with fear of abandonment, alienation and loss, while also an homage to many of his musical influences. In case there’s any doubt who his biggest musical influence is, Riis is the creator of the website Gilmourish.com, which gets a lot of traffic. This should be an easy decision for Airbag and Pink Floyd fans. Listen to the album preview.
Bjørn Riis’s second Forever Comes to an End (2017, jewel case) features guest appearances from Airbag’s Henrik Fossum on drums and Asle Tostrup on programming, Simen Valldal Johannessen from Oak on piano, and vocals from Norwegian-Grenadian singer Sichelle Mcmeo Aksum. Watch the album preview video and listen to the title track and Winter. “Light on lyrics, heavy on atmosphere, Forever Comes to an End delivers an emotional story through music. Don’t expect a display of technical wizardry, guitar acrobatics or catchy tunes. Instead find a cohesive, gorgeously crafted story with few words, little excess, and so much depth.” Read the full The Prog Mind review, also the Progradar review. See our Scandinavian page for the Airbag CDs.
Finnish fusion-prog band Progression was formed way back in 1976, then reformed in 2002 with only bandleader Harri Nokso remaining. Their first album The Dream of Cecilia was released in 2007. “This is just a mind-blowing example of classic jazz-fusion with a modern touch.” Read the full Sea of Tranquility review, also the Proggnosis review.
More lineup changes followed that first album, and Progression prepared for a second album in 2010. But the recording sessions ground to a halt in 2011 and the recordings languished until the newest band members decided to finish the project. Noxologic (2017, digisleeve) is the result. As some of the intended tracks were never recorded in the studio, live versions of four pieces have taken their place. The six-man lineup includes Harri Nokso on electric guitar, Otso Pakarinen (Paidarion, Ozone Player) on drums, Jan-Olof Strandberg (Strandberg Project, Paidarion, The Fusion Project) on bass, Kimmo Pörsti (Mist Season, Paidarion, The Samurai of Prog) on drums, Jaan Jaanson (Paidarion) on electric guitar, and Jussi-Matti Haavisto on viola. As you can hear in the album promo video, Progression play classic instrumental fusion (e.g. Mahavishnu Orchestra) with classic Scandinavian symphonic prog blended in.
Zé da Flauta is a Brazilian musician whose career began in the early 1970s, but Psicoativo (2016, digipack) is the first album under his name alone. Zé plays flute and leads a band of younger musicians on electric guitar, keyboards, bass, and drums, plus several guests. The music is instrumental prog that owes a large debt to Jethro Tull while also displaying subtle influences of Brazilian musicians such as Hermeto Pascoal. OK, they didn’t spend a lot on the cover art, but the music makes up for it.
Hypatia (digisleeve) is a 2015 CD, but we just got a few copies in via a back channel, and the album probably isn’t as well known as it should be. Telergy is the Ayreon-like project of American multi-instrumentalist/composer Robert McClung, with a few dozen other musicians on this third Telergy album that include David Ragsdale and Oliver Wakeman. “Hypatia has so many brilliant moments that deserve to be heard by any self-respecting fan of modern prog. Telergy have once again delivered a complex, bombastic, no-holds-barred progressive rock epic with Hypatia.” Read the full Progarchy review, also the Prog Sphere and Sea of Tranquility reviews.
Pendragon celebrated the 20th anniversary of probably their most successful album, The Masquerade Overture, with a special show at Teatr Slaski in Poland on May 18, 2016. They play The Masquerade Overture in its entirety (including bonus tracks) followed by additional songs drawn mostly from Men Who Climb Mountains, 17 tracks total. The DVD (NTSC, all-region) includes an interview with Peter Gee and Jan-Vincent Velazco among the extras, and surround as well as stereo audio. The double-CD comes in a fat digipack. Read the Prog Archives review. More Pendragon DVDs.
These are the 2015-17 digipack editions on Sireena Records of Eileen (1977), Dry (1979), and Sky Racer (1981), all mastered from the original tapes. Streetmark was a German prog band that released four albums on Sky Records, beginning with Nordland in 1976. Keyboardist Dorothea Raukes was a founding member and one of the first female figures of the German prog scene.
Eileen is the latest to be reissued. For this album, Wolfgang Riechmann joined the band on keyboards, guitar, and vocals. Riechmann would later release the electronic music album Wunderbar. He wasn’t around to see the release of that album as he died after being stabbed without reason by two drunks while on a walk in the Düsseldorf Altstadt in 1978. Sky Records later reissued Eileen under the artist name Wolfgang Riechmann and Streetmark and changed the name of the album to Dreams for maximum confusion. (Dreams is significantly higher rated than Eileen on Prog Archives with the same small number of raters, so the one bonus track on Dreams must be one heluva track.) Riechmann replaced the singer on Nordland that nobody likes, and he wrote or co-wrote all the songs on Eileen. So Riechmann had a big impact on the sound of this album, which shows influences of Eloy and Genesis mixed with cosmic Teutonic electronics.
Streetmark went through constant lineup changes, and by the time of their third album Dry, Raukes had taken control of the band as well as most of the lead vocals. Streetmark are at their best in the vocals department on their last two albums. Dry is an underappreciated German prog album. With this album, the band moved toward a more melodic and rock-oriented prog style, while maintaining a good deal of spaciness. There is loads of organ and synths, with melodic guitar leads. The “Neue Deutsche Welle” (NDW), the German version of new wave, ran a few years behind punk and new wave in the UK, so though Dry is from 1979, it feels more like 1976. There is disco influence in one song, but it’s actually not a horrible track. Read reviews at Prog Archives.
After recording their first three albums in Conny Planck’s studio, Streetmark moved to Dieter Dierks’ studio for Sky Racer. Raukes was the only original member on this album, which continues along the same trajectory as Dry, the quality dropping off slightly as the level of commercialism increased a bit, unavoidable at that time. You’d think the short song Stick to Reggae would be one to skip, but it’s an instrumental done almost entirely on synths. The title track is also instrumental and a Genesis/Camel-inspired highlight, as Raukes plays fast and furious lead synth lines like you just don’t hear anymore. Fortunately Streetmark didn’t follow the emerging trend of the NDW, and overall Sky Racer is a decent prog album, certainly for 1981 when prog was at or near a low point. It would be their last. Listen to Settlers to the West.
This is the single CD edition of Sight of Day (2017, digisleeve); the 2CD limited edition is sold out. Angela Gordon (flute, keys) makes her long-awaited return, and multi-instrumentalist/singer Chris Johnson makes his first appearance since Heart Full of Sky. Troy Donockley guests as he usually does, along with first-time guest Anna Phoebe (violin). Sight of Day is much more upbeat than its predecessor. Read reviews at Prog Archives. Listen to Sight of Day and Tomorrow Dies. See our British page for the full Mostly Autumn catalog.
This is the 2017 digipack debut by U.S. prog band Troposphere, who share most of their members with the bands Canvas and October Tree. Not surprisingly, Troposphere sound similar to those bands, that is, melodic prog with a 1970s pop/rock aesthetic and organic sound, in the vein of Phil Manzanera/801, later Caravan, or The Alan Parsons Project. This album is probably the best yet from this group of related bands.
These exceptional Venezuelan musicians first made their mark in the progressive rock world at the end of the 1970s, became pop stars in their own country during the next decade, then were rediscovered by prog fans during the 1990s with the reissue of their excellent first album Atabal-Yemal (1979), followed by a new prog album in 2000 and an appearance at the Baja Prog festival. The Témpano saga continues with Nowhere Now Here (digisleeve), first released on vinyl and download in 2016; this CD followed in 2017. The album was recorded in both Venezuela and the U.S. Watch the album promo video. Read reviews at Prog Archives. Check our South American page for more Témpano CDs.
Argentina’s premier prog band, who played at NEARfest 2000 back when they had a female vocalist, are now an instrumental band. En el Comienzo del Topos Uranos is Nexus’s 2017 studio CD. Watch the album trailer. See our South American page for more Nexus CDs and more info.
We Are Legend (2017, digisleeve) is the new Magenta album. The DVD contains the 5.1 surround mix, video interview and promos. “Magenta have once again extended themselves beyond what any reasonable fan can expect, and have delivered something classic that will appease diehard fans, but also something new that might just conjure a new audience.” Read the full The Prog Report review. “In We are Legend, Magenta have created one of the best albums of their career by daring to stretch and express themselves with great integrity and dazzling imagination. This will be regarded as one of THE progressive rock albums of 2017.” Read the full The Progressive Aspect review, and if still not convinced, the Progradar and Get Ready to Rock reviews. Watch the album promo and Trojan videos. Note the band have already sold out of this edition, having replaced it with a CD-only edition.
Chaos from the Stage (DVD+CD, digisleeve) presents Magenta live at The Assembly - Leamington in November 2015. The DVD (NTSC, all-region) contains the entire 105-minute concert. The CD contains as much audio as would fit. Watch the promo video. See our British page for more Magenta titles.
Every two years since 2002, Marillion have welcomed their fans to a Marillion weekend. During the March 2015 Marillion weekend in The Netherlands, the band recorded the Saturday night performance of their Marbles album (the complete 2CD version, in order) plus three more tracks. The Marbles in the Park Blu-ray (2017) contains that performance. The Blu-ray contains some minor extras, but more importantly it features DTS-HD Master Audio 5.1 surround and hi-res PCM stereo audio. It runs 134-minutes, is all-region, and the video is 1080i/60, meaning no compatibility issues with North American Blu-ray players. Watch the trailer.
F E A R (2016), short for F*** Everyone and Run, is Marillion’s 18th studio album, containing five new tracks broken into 17 parts. Long tracks divided into sub-sections, your assurance that it’s prog! “It is an album jam packed with wonderful music, gorgeous melodies, complex and personal lyrics – everything that can be expected from 21st century Marillion, but boosted up a notch.” Read the full The Prog Report review. Listen to The New Kings, or listen to the band explain the album.
This SACD version comes in a hardcover digibook. It’s a hybrid SACD, meaning it also functions as a CD. But pop it into an SACD-capable player (these days usually a compatible Blu-ray player), and you not only get hi-res DSD audio, you get hi-res surround. The back of the digibook states “MULTICHANNEL 5.0”, so if that’s accurate, they decided to omit the LFE (subwoofer) channel from the mix. Which is OK. See our British page for some Marillion CDs.
Bring Me to the Water (2016) is a seven-track CD with a playing time of 34:34 by a Dutch prog quintet featuring powerful and beautiful female vocals somewhat similar to Magenta’s Christina Booth. While five of the tracks are listed as bonus tracks, they are actually remastered versions of the band’s earlier material. Nothing is repeated; they are different songs. The album was produced and mixed by Christiaan Bruin (Chris, The Black Codex). Read the Muzikman review. The CD comes in a simple printed sleeve and counts as only one-half CD for shipping.
Collision (2017, digisleeve) is Golden Cave’s first full-length CD, again mixed and mastered by Christiaan Bruin. The album contains reworked versions of their first two singles plus seven brand new songs. This is a talented young band making music that is undeniably prog but capable of drawing a wider audience into the fold. Songs with actual hooks that you want to hear a second time, imagine that! Read the Progradar review.
Dave Bainbridge was the main creative force in the band Iona. After reaching their peak in prog rock terms on 2006’s The Circling Hour and the subsequent departure of Troy Donockley, Iona returned to their early sound and de-emphasized the progressive rock aspect of their style to some extent. Well, energy cannot be destroyed and must go somewhere, and now it’s crystal clear where Dave Bainbridge’s progressive energies have gone. Celestial Fire (2014, digisleeve) is absolutely incredible, a masterpiece and an album Dave says he’s always wanted to make. Dave explains: “It’s an album which really draws upon the excitement and exhilaration I first felt, listening to many of my early musical heroes: Yes, Gentle Giant, David Sancious and Tone, The Mahavishnu Orchestra, Curved Air, Hatfield and the North, Deep Purple, Clannad, Mike Oldfield, The Enid, Keith Emerson, Allan Holdsworth, Alan Stivell, Ralph Vaughan-Williams, to name but a few! It was listening to all these great musicians and composers that first inspired me to become a musician and composer.” The album showcases some amazing playing from Dave on both guitar and keyboards, and though the music is heavily instrumental, there are vocals from numerous singers including Damian Wilson, Joanne Hogg, and Sally Minnear (daughter of Kerry). Dave is assisted by Troy Donockley, his Iona bandmates, Randy George (Ajalon, Neal Morse Band), and many more. For all the details, read the Musical Discoveries review. They chose Celestial Fire as their best album of 2014, and so did we. Also read the Sea of Tranquility review.
Dave Bainbridge formed a band to perform the complex and demanding music from his Celestial Fire album live, and naturally that band got named Celestial Fire. The band was also tasked with playing music from Dave’s first solo release Veil of Gossamer as well as anything from the vast Iona back catalog, along with Dave’s occasional unique twist on a traditional British folk tune. Dave enlisted Iona cohort Frank van Essen (probably unique in the world as an incredible drummer & percussionist as well as an amazing improviser on the violin), singer and multi-instrumentalist Sally Minnear, guitar virtuoso and composer Dave Brons (Top 10 Guitar Idol 2014), and bass & Chapman Stick genius Simon Fitzpatrick (Carl Palmer’s Legacy). In early 2017, Iona decided to call it quits as a touring and recording band. In many ways, Celestial Fire is the new Iona but is significantly proggier than where Iona left off. The Live in the UK DVD+2CD (2017, digisleeve) was recorded on Celestial Fire’s first concert tour and is their first release. It features a mix of Iona music (some rarely played live), music from Dave’s solo albums, even a Yes cover or two. The DVD (NTSC, all-region) and double-CD both feature the entire concert, filmed with multiple cameras by a television production company. The DVD also includes rehearsal footage and photos. Watch the promo video. Read the Musical Discoveries review.
See Page 2 for Veil of Gossamer and the Iona catalog.
Calculated Risk (2017, digipack) is the debut for German instrumental sympho-prog quartet Force of Progress, led by keyboardist Hanspeter Hess, who has released several superb albums under the name The Healing Road. Watch the album sampler video and listen to a snippet from The Man Who Played God.
At last, Twice Bitten on CD! Twice Bitten is the duo of Rog Patterson and Greg Smith, who met at Nottingham University in 1982. A shared love of the work of Anthony Phillips and 12-string guitars led to them writing (in their words) ‘quasi-prog compositions’ and inventing the genre ‘heavy wood’ -- melodic music relying on electric and acoustic stringed instruments with no keyboards or drums. As Rog says: “Frequent appearances at the Marquee in London in support of various proggy luminaries (Twelfth Night, Solstice, Pendragon, and so on) had built Twice Bitten a loyal, if slightly baffled, following.” Twice Bitten released only two cassette albums: Dialogue in 1984 and No Third Man in 1985. Late Cut (2015, digipack) is the CD reissue of No Third Man with the audio cleaned up and remastered, plus two tracks recorded in 2015. One of these is the 12-minute, five-movement Crocus Point, a track Twice Bitten used to perform live but which had previously only been recorded in greatly abridged form. Fans of Anthony Phillips and early Genesis, this album will restore you spiritually. Watch the video for Crocus Point. Read the Progradar review.
Following the dissolution of Twice Bitten in 1986, Rog Patterson carried on in a similar style, releasing the cassette albums M25 (1986) and Talking to the Weather (1987), The Unexpected EP (1988), and the LP Flightless (1989). He toured extensively after Flightless, collaborated with Nigel Mazlyn Jones (whose style is similar) and Anthony Phillips, and became a member of Coltsfoot, appearing on the albums Action at a Distance (featuring a young Steven Wilson) and A Winter Harvest. By this time, Rog was touring regularly with Pendragon as sound engineer, which led to more sound engineering and tour management work. The Flightless CD (2017, digipack) offered here contains the six songs from the LP remastered plus three bonus tracks; one appears on Talking to the Weather and the other two are previously-unreleased. Stylistically, Rog describes his music as “gluten-free Jethro Tull”. Not overly keen on the phrase ‘singer-songwriter’, he regards himself simply as a lyricist who owns some guitars; he takes his lyrics very seriously, and himself not even slightly seriously. Thanks to the Bad Elephant label for rescuing this music! But we’re told only 200 were pressed, so you can only drag your feet to a point.
One of Norway’s best known and best loved prog bands, White Willow have managed a distinct sound on each of their albums, with lineup changes often a contributing factor. (From the press release:) Their seventh album Future Hopes (2017, digipack) sports a Roger Dean cover and sees White Willow exploring some of the most ‘progressive’ territory the band has ever ventured into, with several lengthy tracks and more instrumental passages than they are usually known for. Musically the album builds upon the foundation of its predecessor, with a modern approach to production. Future Hopes also features heavy use of synthesizers, including the vintage classic Yamaha CS80. The lineup, which as always is a loose constellation of musicians with multi-instrumentalists Jacob Holm-Lupo and Mattias Olsson at the core, sees the return of several White Willow stalwarts including flautist Ketil Einarsen (Jaga Jazzist, Motorpsycho), keyboardist Lars Fredrik Frøislie (Wobbler, Tusmørke), and bassist Ellen Andrea Wang (Pixel, Manu Katché Quartet). The singer however is new. Venke Knutson is best known in Norway for a string of Top 10 hits and is well established as a solo pop artist. She came into Holm-Lupo’s orbit as a guest singer with his other project, The Opium Cartel. Guesting on several tracks and putting a clear stamp on the album is Norway’s trailblazing guitar hero Hedvig Mollestad, known from her own Hedvig Mollestad Trio. Holm-Lupo felt the material needed a soloist who could navigate the tricky, almost jazz-influenced chord and time changes on the album while retaining a rock edge, and Hedvig fit the bill perfectly. Watch the video for the title track. See our Scandinavian page for more White Willow CDs and more info.
Stewart Bell is the keyboardist and main composer in Citizen Cain. It looks as though going forward, the Citizen Cain franchise is in his hands, as Bell plans the 74-minute The Antechamber of Being Part 1 (2014) to be only the first in a trilogy. It’s a prog rock opera featuring five vocalists: Simone Rossetti (The Watch), Arjen Anthony Lucassen (Ayreon), Bekah Mhairi Comrie, Phil Allen (Citizen Cain), and Bell himself. Allen also plays guitar, so two-thirds of Citizen Cain is present. Musically and even vocally, it sounds quite a bit like Citizen Cain, albeit slightly heavier, picking up where Citizen Cain left off with 2012’s Skies Darken. The Genesis and Peter Gabriel allusions still abound (if you don’t hear Genesis’ The Knife at one point, you’re just not listening), though the songwriting chops are not on the Genesis level. The music is complex and dense though not impenetrable; the same could be said of much of Citizen Cain’s music. Read the DPRP, Jerry Lucky, and Background Magazine reviews.
The Antechamber of Being Part 2 (2017) is subtitled Stories from the Antechamber and also runs 74 minutes. It features the same five vocalists each playing a different character in this second volume of the story. Watch the promo video and the video for Time Dilation. See our British page for the Citizen Cain CDs.
JPL is Nemo’s guitarist/singer/bandleader Jean-Pierre Louveton. With Nemo currently on indefinite hold, JPL is the new host of the spirit of Nemo, though more guitar-centric. Le Livre Blanc (2017, digipack) features Nemo’s Jean Batiste Itier and Guillaume Fontaine, as well as Ludovic Moro (Wolfspring), Dominique Léonetti (Lazuli), and Steph Honde (Hollywood Monsters). Watch the videos for L’étoile du Nord, Convoléances, and La peste et le choléra / l’antidote. See our French page for the rest of the JPL CDs and the Nemo catalog and more info.
This is the CD+Blu-ray digipack edition of Steve Hackett’s 2017 studio album The Night Siren. The Blu-ray (all-region) contains a surround mix in DTS-HD 5.1 Master Audio and 24/48 5.1 LPCM, plus hi-res stereo (24/48 LPCM). The Blu-ray also features a behind-the-scenes video examining the creation of The Night Siren. In addition to the members of Hackett’s current band, there are many guests including Nad Sylvan, Troy Donockley, and Nick D’Virgilio. Watch the video for Behind the Smoke and listen to In the Skeleton Gallery. Read the Echoes and Dust and Progradar reviews. See our British page for more Steve Hackett CDs and our DVDs page for Hackett’s DVDs.
Cast’s 2017 CD Power and Outcome (digipack) is again sung in English, with both male and female vocals. Roberto Izzo of GnuQuartet, who became a permanent collaborator on the previous album Vida (both studio and live), remains in the lineup on violin. Watch the album teaser.
Sands of Time Live is Cast’s first Blu-ray, the culmination of a series of concerts to promote the Vida album, featuring the current Cast lineup. It was recorded in Mexicali, Mexico in April 2016. Watch the trailer and this longer medley. Note the disc is a BD-R, to be expected for a small run Blu-ray such as this. The disc label, insert, and booklet printing is fully professional.
See our Mexican page for more Cast CDs and more info.
Blackfield is a collaboration between Israeli star Aviv Geffen and Steven Wilson of Porcupine Tree begun in 2001. This is the original Israeli edition on Helicon Records of Blackfield’s 2007 second album II, in a slipcased jewel box.
Welcome to My DNA (2011) is the third studio album for Blackfield. This is the deluxe digibook (hardcover) edition that has been deleted for some time, so last copies. Read reviews.
Blackfield V (2017, digipack) sees Wilson return to being fully involved, and both musicians consider this to be their best collaboration to date. Written and recorded over an 18 month period in both Israel and England, Blackfield V contains 13 linked songs that form a flowing 45-minute ocean-themed song cycle. With the pair expertly handling vocals, guitars, and keyboards, they brought in Tomer Z from the Blackfield band on drums and Eran Mitelman on keys, while string arrangements were performed by the London Session Orchestra. Alan Parsons worked on three of the album’s key tracks. Watch the videos for Family Man / Sorrys / How Was Your Ride?, From 44 to 48, and Lonely Soul. Read The Prog Report and Sputnik Music reviews.
Blackfield is fleshed out by three other musicians for live performances. The Live in New York City DVD (NTSC, all-region) captures Blackfield live at the Bowery Ballroom in New York City on 16 March 2007, performing 18 songs. The DVD also includes three music videos: Hello, Pain, and Blackfield. Dolby Digital and DTS 5.1 surround audio. Originally a DVD-only release, KScope later repackaged it, adding the audio CD and lowering the price, then repackaged it again, now a digipack.
American drummer Pat Mastelotto (King Crimson, Stick Men) and German touch guitarist/multi-instrumentalist Markus Reuter (Crimson ProjeKCt, Stick Men) are two of the busiest and most in-demand musicians in prog. The duo was formerly known as Tuner, last heard from ten years earlier with the album Pole (which we thought was great!). Face (2017, digipack) has been in the works ever since. Mastelotto & Reuter are aided by 16 illustrious guests including Steven Wilson, David Lynch collaborator Chrysta Bell, and The Rembrandts’ Danny Wilde. Face consists of one unbroken track which the duo describe as a roller-coaster prog epic. (If we may continue to crib from the press release...) With echoes of Mike Oldfield’s melodicism, Crimsonesque complexities, churning bass that wouldn’t be out of place in classic-era Yes, and even languid Floyd-like soloing, the progressive rock vocabulary is unmistakable. Canterbury and Gentle Giant deserve mention as well. For all the intensity, the music is melodic and structured. The orchestration is intricate; the instrumentation includes several singers, keyboards, electric and acoustic guitar and guitar synth, bass (fretted and fretless), and all manner of strings, woodwinds, and brass instruments. Markus says that Face represents the sum of all his musical experience to date, calling upon the entire body of compositional techniques. “Face is very much a special piece in the body of my work. I don’t think there’s anything else quite like this out there today”.
“Face is a true prog journey, but unlike some songs that rely on the abundance of notes, this one is about the right note being in the right place with the right rhythm and structure. Honestly, this is one of the most fascinating things I’ve heard in quite a while. Face renews my hope in truly progressive music. This is easily going to be a part of my best releases of 2017. Incredible. Not to be missed! Rating: 10/10” Read the full Progressive Music Planet review.
Do Nothing Till You Hear From Me is the 2016 debut by The Mute Gods, a new band signed to InsideOut whose members are all renowned prog musicians. The band leader is bassist, Chapman Stick player, and vocalist Nick Beggs (Steve Hackett, Steven Wilson, Lifesigns, Lonely Robot,...). Beggs is helped most by long-time Steve Hackett collaborator and keyboardist Roger King. Marco Minnemann (Steven Wilson, UK, The Aristocrats,...) plays the drums on most of the tracks. Guests include Adam Holzman, Frank Van Bogaert (Fish on Friday), Ricky Wilde, Rob Reed, Nick D’Virgilio, and Gary O’Toole. The label says the album is “a mercurial journey that seamlessly shifts between the realms of progressive rock and adventurous pop.” Watch the official videos for the title track, Feed the Troll, Father Daughter, Nightschool for Idiots, and Praying to a Mute God.
Unlike the debut album with its many guests, Beggs chose to keep Tardigrades Will Inherit the Earth (2017) to the core trio, ensuring a laser focus and consistency throughout. Roger King, the album’s keyboardist and producer, also works with Beggs on Hackett’s sold-out world tours. King has long been Hackett’s right-hand man, serving in production, arrangement, and writing capacities. Marco Minnemann, considered one of the top drummers of our time, has worked with Beggs extensively on many Steven Wilson tours and recordings. Watch the video for We Can’t Carry On. Read The Prog Report review. Both of these titles are the U.S. jewel case edition.
Greyfeather is an American all-star prog band featuring Brian Coralian (IZZ) on drums & percussion, Kevin Jarvis (Farpoint) on acoustic guitar & vocals, Steve Katsikas (Little Atlas) on vocals & keyboards, Dennis Mullin (Iluvatar) on electric guitars, and Wade Summerlin (Cobweb Strange) on bass & vocals. Their 2017 debut CD was recorded over several years. Listen to the album sampler. Read the story of how Greyfeather came about. The CD comes in a simple printed sleeve.
Having completed the massive Dante’s The Divine Comedy project, Finnish progressive rock association Colossus continues its excellent series of various artists progressive rock concept CDs, digging deeper into Italian literature of the Renaissance with another classic: Giovanni Boccaccio’s Decameron. Each participating band created a new piece of music, generally in a vintage style and often lengthy. Musea released the 4CD Part I in 2011 and the 4CD Part II in 2014. The Seacrest label took over the franchise beginning with Part III (4CD, 2016), a logical fit as not only is Seacrest a Finnish label, they’re also home to The Samurai of Prog, featuring some of the same musicians and also focused on vintage prog. Just some of the bands on Part III: Latte e Miele, United Progressive Fraternity, Robert Webb, Ageness, Ellesmere, JPL, Willowglass, Trion, Nexus, Elephants of Scotland, Jinetes Negros, Interpose+, Court, Il Tempio delle Clessidre, Rebel Wheel, Taproban, D’accord, Phoenix Again, Castle Canyon, Il Castello di Atlante, Faveravola, Cirrus Bay. Artwork for the album and its 64-page booklet is by Ed Unitsky. So much good prog here at only pennies per minute! Watch the 10-minute album overview video (where you’ll also find the full band/track list) and the teaser video for United Progressive Fraternity’s Mercenaries. Counts as 2.5 CDs for shipping.
More on Page 2 →